FMC 190: Violent Night directed by Tommy Wirkola

December 18, 2023

Listen to this episode

Also on Apple Spotify YouTube

This week, Reginald Titus Jr. and Casey G. Smith dive deep into Tommy Wirkola’s action-packed holiday film, “Violent Night.” You’ll hear why this unique blend of festive cheer and brutal action became a surprising box office success, grossing over $76 million worldwide, and get a detailed breakdown of the creative choices that made it shine. The hosts also share their thoughts on a wide array of upcoming trailers and recent releases, covering everything from fantasy musicals to gritty anime and hard-hitting documentaries, ensuring you’re up-to-date on the latest in entertainment.

Join Reginald and Casey as they discuss how “Violent Night” found its audience by cleverly combining recognizable stars, an iconic figure like Santa Claus, and a truly original premise. They explore the nuanced approach to its violence and its unexpected win for costume design. Beyond the main feature, the episode is packed with recommendations and critiques on new content, offering a knowledgeable friend’s perspective on what’s worth watching in the ever-expanding film and TV landscape. Don’t miss this engaging discussion that bridges critical analysis with passionate fandom.

What We Cover

An in-depth look at “Violent Night’s” impressive box office performance and critical reception.
The strategic elements that contributed to the film’s success, including David Harbour’s portrayal of Santa and its “Die Hard meets Home Alone” appeal.
Trailer reactions and insights for highly anticipated releases like “The Iron Claw,” “Mr. & Mrs. Smith” (TV series), “Echo,” and “Napoleon.”
Analysis of recent box office numbers for films like “Wonka” and discussions on various remakes and sequels.
Reginald and Casey’s personal viewing experiences, featuring shows like “Invincible,” “Squid Game Challenge,” “The Killer,” and “Coach Prime.”
The hosts’ enthusiastic review of “Godzilla Minus One,” hailing it as one of the year’s standout films.

Key Moments

1:06: The hosts express genuine surprise and delve into the unexpected box office triumph of “Violent Night.”
2:15: A breakdown of the key factors that made “Violent Night” a hit, from its star power to its fresh take on a classic holiday figure.
18:00: Reginald’s compelling argument for why “Godzilla Minus One” is a must-watch, praising its emotional depth and terrifying visuals.
49:45: The hosts dissect the film’s balance of violence, heartwarming moments, and humor, discussing how it managed to pull off its ambitious tone.

Gear & Films Mentioned

Films & Shows:
- Violent Night
- Wonka
- The Color Purple (remake)
- Beverly Hills Cop 4
- The Iron Claw
- Mr. & Mrs. Smith (TV Series)
- Marvel Studios What If Season 2
- Echo
- Napoleon
- Grand Theft Auto 6 (teaser)
- Blade (game trailer)
- Invincible Season 2
- Squid Game Challenge
- The Hunger Games: The Ballad of Songbirds & Snakes
- The Killer
- Family Switch
- The PEZ Outlaw
- Headliners Only
- Coach Prime
- Baki
- Rap Sh!t
- Godzilla Minus One
- Bad Santa
- Demon Knight
- Home Alone
- Die Hard
- Tales from the Crypt
Platforms:
- Amazon Prime Video
- Netflix
- HBO
- Disney+
- Apple TV+
- YouTube
- Tubi
- Roku
- Vudu
Games:
- Grand Theft Auto V
- The Game Awards

Listener Questions

What were the core reasons “Violent Night” outperformed expectations at the box office?
How does “Violent Night” successfully navigate its blend of intense violence and holiday themes without feeling disjointed?
What new trailers, movies, or series should I add to my watchlist based on the hosts’ latest recommendations?

For more film commentary and discussions, join us on Filmmaker Commentary each week!

Full Transcript

Read the full transcript

Full Episode Transcript
This episode features Reginald Titus Jr. and Casey G. Smith discussing the Christmas action-comedy *Violent Night*, its box office performance, and diving into current film news, trailers, and personal viewing recommendations.

Introduction and Film Overview
Reginald Titus Jr.: Welcome to Filmmaker Commentary, where we cover movies with commentaries from directors who take the time to record them on Blu-ray and DVDs. We also give our detailed insights, so look out for spoilers. We discuss the latest in showbiz news along with movies and TV shows that we've been watching. So, join Reginald Titus Jr. That's me. And Casey G. Smith. That's me. Every week here on Filmmaker Commentary.
Reginald Titus Jr.: Welcome, welcome, welcome to another episode of Filmmaker Commentary. I'm Reginald Titus Jr. I'm joined with Casey G. Smith. Welcome back, sir.
Casey G. Smith: Good to be back, sir.
Reginald Titus Jr.: And today, we're talking about *Violent Night*, 2022, yeah?
Casey G. Smith: Yes, sir.
Reginald Titus Jr.: This one was directed by Tommy Wirkola. Hopefully I'm saying this name correctly. What was the budget and box office for this film?
Casey G. Smith: So, *Violent Night* on a $20 million budget, worldwide grossed $76 million.
Reginald Titus Jr.: Not bad.
Casey G. Smith: Oh, not bad at all.
Reginald Titus Jr.: Oh, that was, um, that's a surprise, yeah.
Casey G. Smith.: Yeah, I was surprised when I saw that too. I was like, oh, okay.
Reginald Titus Jr.: Yeah. And it, let's see, when it released, was it, was it around Christmas time last year when it came out?
Casey G. Smith.: Friday, December 2nd.
Reginald Titus Jr.: Yeah, I, this one, I remember seeing the trailer and I was just like, this is one day. That's what, I thought it was like an-
Casey G. Smith.: Oh, no, I think I, I knew that it was in theaters, but it seemed like it came to Amazon fairly quickly, or maybe it was one of those, it wasn't day and date. But, um, yeah, but I'm, I'm glad that we, I think actually my, my, my buddy actually went to go see it and told me he had, he had enjoyed it. I was like, okay. Yeah.
Reginald Titus Jr.: I was like, one day, one day, Santa. Not '22, but maybe next year. Um, did it win any awards and kind of what was the cinema at the time, this was last year, you know, the theaters are still kind of getting on their feet.
Casey G. Smith.: That's true, that's true. Well, again, enough where it was able to turn a profit. Um, I think it was, it's a solid enough buzz. I mean, it's one of those things where you, you, you, you got the right mix of recognizable actor right in David Harbour.
Reginald Titus Jr.: Yeah.
Casey G. Smith.: Who does both streaming shows and movies.
Reginald Titus Jr.: Yeah.
Casey G. Smith.: You got a recognizable icon in Santa Claus. And then you're putting him in a wholly unique situation in our fairly violent culture and society.
Reginald Titus Jr.: Dude.
Casey G. Smith.: Entertainment from entertainment standpoint, right? We're watching *The Boys* and *Invincible* and all that and now Santa gets to get in on the action too, it kind of gives him this edge. Like, okay. Well again, why we would say, okay, maybe I don't go to the theater to watch it, but someday. So when my buddy said, oh yeah, it was, it was actually pretty enjoyable. And, and again, as we'll get into it, it is pretty, pretty enjoyable. Um, as far as awards go, I don't see any major awards here. All I see is that it won the the CAFT CAD Awards, Best Costume Design in in Film, Contemporary.
Reginald Titus Jr.: Oh.
Casey G. Smith.: So, that's about it.
Reginald Titus Jr.: Not much going on there. Uh, it's all good. Um, well, I guess before we talk further about *Violent Night*, let's talk about TV news and movies. Watch. Ho, ho, ho.

TV & Movie News
Casey G. Smith.: All right, so in the news, according to Variety, Box Office: Timothée Chalamet's Wonka surprises $150 million globally. Timothée Chalamet's fantasy musical *Wonka* hit a sweet spot at the box office milestone, surpassing $150 million globally. The song and dance movie about the early days of the eccentric chocolatier opened to number one in North America with $39 million. It got a jump at the international box office, debuting last weekend at $43.2 million. *Wonka* collected $53.6 million overseas, its sophomore outing, bringing its foreign tally to $112.4 million and its worldwide total to $151.4 million. Dollars.
Reginald Titus Jr.: Dollar, dollar bills. *Wonka*, that's a surprise. I didn't, I saw the trailer and I was like, oh, okay. Did-
Casey G. Smith.: I think it's a combination of, I mean, again, it's kind of hitting a interesting spot, right? There's, you know, so many of us know of Willy Wonka and the Chocolate Factory. But then, you're rocking out the prequel and with again, a recognizable star in one Timothée Chalamet. Like, okay, that's, uh,
Reginald Titus Jr.: Yeah.
Casey G. Smith.: It's good, and and right around the holidays too. It's a, it's a, it's a pretty smart drop and, and, uh, yeah, it seems to make sense.
Reginald Titus Jr.: And money.
Casey G. Smith.: Yeah.
Reginald Titus Jr.: Dollars and cents.
Casey G. Smith.: Because I remember, I don't remember if the other one, the remake of *Charlie Chocolate Factory*, if that was a hit or not, or the one with Johnny Depp.
Reginald Titus Jr.: Johnny Depp.
Casey G. Smith.: Yeah, I don't remember. That, that steered.
Reginald Titus Jr.: Steered clear of that. Sorry.
Casey G. Smith.: Oh man. Um,
Reginald Titus Jr.: I think there was another, um, I was just talking to somebody at, at the gig I was at, and they were mentioning *The Color Purple*. That one was also, because I, I was watching, I forgot what we were watching, but *Wonka* would play, and then you'll see like *The Color Purple*, because that's like a remake, I guess, that's coming on. And so I was like, oh, what would you do with that?
Casey G. Smith.: Oh yeah.
Reginald Titus Jr.: Um,
Casey G. Smith.: It's also, so, I mean, obviously the the original *Charlie and the Chocolate Factory* is, is a musical. But this one is a prequel and also still a musical, but *The Color Purple* is a, yeah, straight remake and and a musical this time around. Yeah. Which I think is taken off of the Broadway play that Fantasia.
Reginald Titus Jr.: Which I think will throw some people off because they weren't introduced to the the original movie.
Casey G. Smith.: Sure.
Reginald Titus Jr.: They weren't, I don't remember anybody like singing like that. Like a musical.
Casey G. Smith.: Right, right. With those music included, jukebox joints and stuff like that, but I don't remember.
Reginald Titus Jr.: Uh, yeah.
Casey G. Smith.: It's going to be interesting to see, uh, see, see what it, what it do. It'll be interesting to see if, um, I guess those that saw the Broadway play if they will, you know, come out or or have word of mouth that brings, uh, brings audiences through. Or if, uh, because it's got the young actress, uh, Halle, Halle Berry?
Reginald Titus Jr.: I think it's Chloe Bailey.
Casey G. Smith.: Chloe Bailey.
Reginald Titus Jr.: It might have been one, it's one of the Bailey sisters, so.
Casey G. Smith.: Yeah, okay. It's one of the Bailey sisters, right? That she's in it as well, and playing one of the younger versions of the sisters in the film.
Reginald Titus Jr.: Mhm. Um, but the person that talked about said they, they enjoyed it, so I'm like, oh, okay. Cool, you already know how I feel about that film. *Color Purple*, that's, that's a rough one.
Casey G. Smith.: Yes, sir.
Reginald Titus Jr.: Um,
Casey G. Smith.: But the original had such an iconic cast though too.
Reginald Titus Jr.: Yeah, it's iconic. It's, and it's, it's well done. It's Steven Spielberg. It's, um, it's got everything. That's why I was like, man, what do you all, what do you all have to do with this? You know? What you all going to do? Right? It's, hey, it is what it is on its own. Whoopi Goldberg, Oprah.
Casey G. Smith.: Oh, man.
Reginald Titus Jr.: Danny Glover.
Casey G. Smith.: Yeah.
Reginald Titus Jr.: Yeah, that's a, it's a sad cast, man. That's what I'm saying.
Casey G. Smith.: Absolutely.
Reginald Titus Jr.: Um, what kind of trailers have you been watching any trailers or anything like that?
Casey G. Smith.: I have seen a trailer or two in my time. Okay. So one that that really has grabbed my attention is A24 film, *Iron Claw*.
Reginald Titus Jr.: What is that?
Casey G. Smith.: So, *The Iron Claw* is a, it's a wrestling film. And it's, oh, yes.
Reginald Titus Jr.: We talked about this. Okay. Yes, I did see the trailer.
Casey G. Smith.: It is, uh, based on the the Von Erich family.
Reginald Titus Jr.: Yeah, Efron, Efron is Zac Efron.
Casey G. Smith.: Zac Efron. Okay, yeah, I saw the trailer. I'm like, how did I, I'm like, I'm a little tired today guys. Sorry.
Reginald Titus Jr.: But that, the more I see that trailer, the more I'm like, yes, I'm, I'm glad. It drops next weekend. I'm, I'm, I'm down. I'm in.
Casey G. Smith.: See? It's happening.
Reginald Titus Jr.: It's going down.
Casey G. Smith.: When I saw the trailer, it looks good. It looked good. So I'm like, I'm interested. And I'm not even like into that world like that. I'm like, this looks good.
Reginald Titus Jr.: Yeah, it looks like it looks like a, a good film. Uh, and it's got like a certain level of intensity that's kind of happening to it in the way it's grounded and the realism. So, yeah, man, I'm, I'm looking forward to it. But again, as, as a, as a wrestling fan and an old school wrestling fan at that, and knowing the some of the history of the Von Erichs and and its ties to the Dallas Fort Worth area and the Sportatorium in those days, even in the trailer, even in the the briefest of glimpses, I already recognized the Fabulous Freebirds in the trailer. And somebody, somebody dressed as Michael PS Hayes, somebody dressed as Terry Bam Bam Gordy. Anyway, so that's a, you know, a small thing. You know, Easter egg for, for those that, that, if you know, you know. But it looks like a good film and this and then the story of the Von Erichs is one that's, that's unfortunately marred in tragedy and, uh, yeah. So it's going to be interesting to see where this film goes and how, how far it goes.
Reginald Titus Jr.: All right, brother. I've been watching, uh, for trailers, *Beverly Hills Cop 4*.
Casey G. Smith.: When, when he play, I don't know, I guess it was on YouTube or something like that and it just popped up. And, uh, the first thing that came to my, my mind was money grab. Remember Eddie said, no more money grabs.
Reginald Titus Jr.: Oh. Uh, when, what movie was he referring to when he said, no more money grabs?
Casey G. Smith.: Oh man, which one was it? Um,
Reginald Titus Jr.: It wouldn't *Coming to America*, was it *Coming to America*? I don't think it was referring to *Coming to America*.
Casey G. Smith.: I think it was maybe after the third *Beverly Hills Cop*.
Reginald Titus Jr.: Really? Oh, so in his early career, not the new recent stuff that he was kind of getting.
Casey G. Smith.: Yeah, I think, I think. Well, I think when he was making reference back to, no, you know what, it was some of the, it was some of the family friendly stuff that he had done. It was quite, quite a bit of that. You know, like, you know,
Reginald Titus Jr.: I mean, he's back grabbing the bread too. He's, you know, I gotta get with these money grabs.
Casey G. Smith.: Well, he, he that the, the, that trailer and then there's a, he's, there's like a, a holiday film that he's in too and then, Yeah, that was on on on, uh, Amazon Prime. Yeah, it's all, I'm like, man, he's, he's back. He's, he's back again. Get that bread. But anyhow, I saw that and I was like, I don't know how I feel about it.
Reginald Titus Jr.: Yeah, I, I, I agree.
Casey G. Smith.: I'm like, I'm not, I'm not, I'm not excited for it just yet. I need, I need to see another trailer. Uh, she did, there's a, there's a lot of cameos by previous cast members. Uh, you know, I wouldn't believe but, you know, the *Coming To*, *Coming To America* kind of, kind of, kind of burned me a little bit.
Reginald Titus Jr.: Yeah, that was rough. That was bad. To be honest, it was, it wasn't.
Casey G. Smith.: It was nostalgic. Again, a lot of, a lot of cameos, a lot of people came, came back, showed up. It felt like the, I don't know, it's hard to, uh, to recapture that magic, you know. And everybody has to be on it and not just there to, you know, get a, to sign up for work. Yeah. That's what it felt like. Everybody just signed up for work.
Reginald Titus Jr.: Well, and also, I mean, a lot of times you don't have the same director.
Casey G. Smith.: Yeah, John Landis.
Reginald Titus Jr.: Yeah. I mean, hey, that's, it's tough. It's, it's, it's, it's tough to, to capture lightning in a bottle. *Coming to America*, the original is lightning in a bottle. A lot of Eddie's movies, like early in his career, lightning in a bottle. He was just the dude at the time. And that's tough to recreate.
Casey G. Smith.: Especially to take a break. 35 years later.
Reginald Titus Jr.: Yeah, to take a break like he's done, uh, such a break like that.
Casey G. Smith.: Well, it's not like he, he didn't. He, he didn't. He, he didn't. He didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn't. He, he didn’t attract the best of people to their lives or to the family. What does that mean?
Casey G. Smith.: I get that.
Reginald Titus Jr.: All right. You can catch us where?
Casey G. Smith.: Facebook.com/filmmakercommentary. We are also on The Gram and Twitter. I don't have, I don't have my, my full information. Where am I? Pulled up. Um, he is at Reginald Titus Jr. JR. I'm at Casey G. Smith 32. It's the same on Twitter and Instagram. Look at that.
Reginald Titus Jr.: Hey, you know, hey, just check us out on Facebook, Filmmaker Commentary. And it's up on Instagram, and, uh, we'll be sure to reach back out to you. Till next time. Peace. Respect.