FMC 025: Requiem For A Dream Directed by Darren Aronofsky

Full Episode Transcript
This episode of Filmmaker Commentary dives into "FMC 025: Requiem For A Dream Directed by Darren Aronofsky," offering insights into the film's themes, production, and impact from the filmmakers' perspective.

Introduction and Recent Watches
Reginald Titus Jr.: Filmmaker Commentary, episode 25. Welcome to Filmmaker Commentary, where we give you insights from our favorite filmmaker commentaries. These commentaries can be heard on your DVD and Blu-rays of your favorite movies. We'll show you how you can use these commentaries and apply them to improve your video production and filmmaking techniques. All this here on Filmmaker Commentary. I'm your host, Reginald Titus Jr.
Reginald Titus Jr.: All right, everybody. Welcome to another episode of Filmmaker Commentary. I'm Reginald Titus Jr. I'm here with Casey G. Smith. Welcome back, sir.
Casey G. Smith.: Good to be back, sir.
Reginald Titus Jr.: So today, we are talking about Requiem for a Dream. Did I say that right?
Casey G. Smith.: Yes.
Reginald Titus Jr.: Dude, I had to like go like I went on Google and hit the how to announce it.
Casey G. Smith.: Phonetically sounded out for me, please, sir.
Reginald Titus Jr.: Requiem. I think I was saying it wrong for years.
Reginald Titus Jr.: I mean, how often do you use that, right?
Casey G. Smith.: Not too, not too often. Not, not too often. But I see it, I see it pop up in different places and literature and that.
Reginald Titus Jr.: I mean, like you use it in your vocabulary. When's the last time you used it?
Casey G. Smith.: I couldn't. Probably when I first watched the film.
Reginald Titus Jr.: Right?
Casey G. Smith.: Requiem.
Reginald Titus Jr.: So yeah, like when it comes to like certain titles, it it's, if it doesn't like, if it doesn't tell you exactly what it is, sometimes it's hard to like, to make a decision sometimes. I don't know. It's like, all right, am I gonna go abstract today? Or am I gonna, you know, tell me what I'm getting. Dinosaurs too. You know, like,
Casey G. Smith.: Can't you just be straightforward with me?
Reginald Titus Jr.: Right. Straightforward title.
Casey G. Smith.: Sometimes, sometimes, right.
Reginald Titus Jr.: If I'm feeling arty, then we can go explore.
Reginald Titus Jr.: All right, so the budget for this film was $4.5 million and it released in what, October 6, 2000? It was around that time, around 1999, 2000, all these abstract movies were coming out and people were really pushing the envelope. Uh, domestically it made 3.6 million, foreign 3.7 million, worldwide 7.3 million. So, is that a win or no?
Casey G. Smith.: No. I'm gonna say no. Not not doesn't, doesn't, doesn't seem like that's a
Reginald Titus Jr.: And this film was directed by Darren Aronofsky. And if any of y'all follow him, his first, this is his second, uh, this is his sophomore film, so his first film was Pi, which was basically a breakout success. It was he put together $65,000, shot it black and white, you know, coming out as a, as a college student and, and the film, I think he was able to sell it for $1.5 million and it was distributed by Artisan. So he's basically like one of those kind of Sundance kids that can get whatever they want after their first movie. Tarantino was in that boat, Robert Rodriguez was in that boat, Kevin Smith was in that same boat around that same time. So basically, he could have done, the world was his after that first movie.
Casey G. Smith.: The world is yours.
Reginald Titus Jr.: Yes.
Casey G. Smith.: oyster.
Reginald Titus Jr.: And he chose to do...
Casey G. Smith.: Requiem for a Dream.
Reginald Titus Jr.: Before we go into anything with the movie, let's, let's talk about movies that we watched this past weekend. What did you watch this past weekend?
Casey G. Smith.: So this past weekend, uh, a buddy of mine and we went to go see Tag. I heard good things about it. It was a fun film, uh, from the trailers. A lot of actors that I that I enjoy in there. I always enjoy Jon Hamm in just about anything that I see him in. Uh, as well as of course, Jeremy Renner who always brings it in his performances. Uh, Ed Helms is also in the film. Uh, Lil Rel is in it as as well. He's always fun. He's always fun. He always has some good lines. Uh, and then, uh, Jake Johnson, who you see his face pop up in a lot of things and he's on New Girl as well, uh, the TV show New Girl. I don't know if that's still running or not, but he pops pops up in a lot of things.
Reginald Titus Jr.: What did it R? What was it rated?
Casey G. Smith.: Uh, man, yeah, it was rated R. That's mainly for, for for some, some language here and there. Basic premise of a a base based on a true story of a of a group.
Reginald Titus Jr.: Is it really? Based on a true story.
Casey G. Smith.: Yeah, yeah. Based on a true story.
Reginald Titus Jr.: And that's what I'm saying. Titles, you tell me what it is.
Casey G. Smith.: Tag.
Reginald Titus Jr.: Oh, okay, I get it. I don't gotta think at all.
Casey G. Smith.: And it's just, yeah, a group of guys once once a year for like one one month period of time they, they play tag and they've been doing it since they were childhood friends.
Reginald Titus Jr.: Okay.
Casey G. Smith.: And they go to different lengths and extremes to to get, to get each other. Whether it's going as far as dressing up in in disguise or, you know, dressing up like, you know, as a mailman or something like that, like you're gonna go and deliver something and all of a sudden you're like, ah!
Reginald Titus Jr.: Ah.
Casey G. Smith.: You're it. And uh it was a it was a it was a fun movie. Obviously, you know, they they take their liberties and it's it's got a little throughline in the story to it, but I I enjoyed it. It was a fun movie. If yeah, if you like fun movies, uh and, you know, um yeah, I recommend it. I recommend Tag. It was some good some some good, some good fun.
Reginald Titus Jr.: When I saw the trailer, it reminded me of like The Hangover or something like that. It's like a rated R comedy where you just kinda just have a good time.
Casey G. Smith.: Yeah, it's like that. Not not not as as extreme, uh, from like, you know, it's not it's not as raunchy, I'll put it that way as as The Hangover, but, yeah, it's just a it's it's a good time. There's some, there's some some cool scenes as far as, cuz you have Jeremy Renner's character and part of the premise is that he's never been tagged. Like ever since they were kids, like they've never been able to get him. He's just that good. And so yeah, so you go into the film with with that kind of looming overhead. Uh, but yeah.
Reginald Titus Jr.: So if I was to write this movie, I ain't seen the movie. Basically, he has to get tagged, and then the movie's over. All right, go ahead.
Casey G. Smith.: But it was quite enjoyable. So yeah, if you um you like fun movies, I I recommend checking out checking out Tag.
Reginald Titus Jr.: Tag, hit your local theater.
Casey G. Smith.: Yes.
Casey G. Smith.: What did you, what did you see this weekend?
Reginald Titus Jr.: Uh, took the son out and we went to watch Jurassic Park, or is it Jurassic World? There's like another title under Jurassic.
Casey G. Smith.: Fallen Kingdom.
Reginald Titus Jr.: The Fallen Kingdom. How was it? Eh.
Casey G. Smith.: That's what I've heard.
Reginald Titus Jr.: Yeah. Um, it was entertaining, but it it's like you've been here before. It's what it feels like. It's like, I've been here before. The last one, Jurassic World's pretty good. But even the characters, you know, when they're reintroducing the characters, it's like, why are we doing this again? That's what it feels like. But, uh,
Casey G. Smith.: It's called money.
Reginald Titus Jr.: That's what it is. Yes. Oh, I forgot. Like, I'm asking myself, why are we doing this?
Casey G. Smith.: Ching. Ching. And yeah, cuz I think it killed at the box office.
Reginald Titus Jr.: It did, it did, yeah, it did well. Oh, especially overseas. It it opened up strong. Actually opened up overseas first before different locations overseas before here in the states and it had a had a a good strong start.
Reginald Titus Jr.: The kills were cool. Always enjoyed the kills. Um, my son, he, he enjoyed it. He said it was about the same as Jurassic World, but I think he, he kinda liked Jurassic World a little bit better. But yeah, , it is entertaining. You know, you know what you're getting. That's the thing. Is no surprises. You know what you're getting. You know what you're coming here for.
Casey G. Smith.: You see, I kinda I'm kinda I feel like, again, I I saw Jurassic World. I didn't see it in the. Did I see it in the theaters? I don't think I saw it in the theaters. I think I waited till it was on streaming somewhere.
Reginald Titus Jr.: Right.
Casey G. Smith.: Um, but I'm kinda, yeah, I'm kinda I'm kinda over the dinosaurs. Now the first Jurassic Park, oh yeah, that's first of that, that's groundbreaking. Still beautiful. It was like, wow. It has that all that sense of wonder.
Reginald Titus Jr.: Spielberg, bro.
Casey G. Smith.: Yeah. Yeah, yeah, Steven Spielberg. And he shot Schindler's List the same year. How? Yeah, that's a master right there. But, yeah, I kinda, I'm kinda had my my my my fill for right now. I would need to see something really drastically different. I know they were kinda pursuing the storyline of how do we weaponize? How do we weaponize these these dinosaurs? You know, maybe if I don't know, maybe the dinosaurs start talking or something like, you know, Planet of the Apes, Jurassic Park crossover?
Reginald Titus Jr.: There's nothing else to do. There's nothing else to do with it.
Casey G. Smith.: Dinosaurs in space? Jurassic Space? Jurassic Moon?
Reginald Titus Jr.: No.
Casey G. Smith.: Uh, I got nothing.
Reginald Titus Jr.: There's nothing to do.
Casey G. Smith.: Yeah. So yeah, I give it about a C.
Reginald Titus Jr.: Solid C. It's passing.
Casey G. Smith.: Passing.
Reginald Titus Jr.: Kid had fun, so that's all that matters.
Casey G. Smith.: Okay, it's good you took him out to to see what was in the theaters.

Themes and Style of Requiem For A Dream
Reginald Titus Jr.: Back to Requiem for a Dream. Some of the themes, let's talk about the themes of the film. So we're dealing with addiction, we're dealing with obsession, loneliness, compromises, escapism, kinda escaping that reality and the lengths that you will go in order to do that.
Casey G. Smith.: Darren Aronofsky mentioned that there are, you know, this is this is a movie about addiction and within that you also have then, uh, you could say themes of repetition and obsession that that take place. And he even shoots whatever this thing is that that people take as their or use as their drug or or, let me make sure I I quote him right. He says, when you escape your reality, you create a a hole in your present. And then you'll use anything to feed that hole until it will grow and grow until it devours you. So, which is played out through Harry's arm. It starts out as something small and then it it literally grows and grows. So gross. Oh, man, I remember the first time I was like, hm, that's that's pretty disgusting. But whether it's Harry's arm.
Reginald Titus Jr.: Do you want to explain to the audience what, what do you mean when you say Harry's arm?
Casey G. Smith.: Yes. So, first and foremost, here on Filmmaker Commentary, there will be spoilers. So we hope and encourage you to watch the film first and then come back and and join us and and and listen in. You know, this film is, again, about addiction and there's a lot of drug use, uh, a lot of shooting up of uh, what I assume is heroin. And it gets to the point where one of the one of the main characters, one of the main leads, Harry, uh, has shot up so much that he begins to develop, I don't know if you would call it an abscess, not an abscess, but he he begins to develop an infection in his arm. And he gets to a point where one of his buddies who shoots up with him sees it. Marlon Wayans' character and he's he's Tyrone. He says, uh, you know what?
Reginald Titus Jr.: His name is Tyrone?
Casey G. Smith.: Yeah. He sees and he's like, oh, man, don't shoot up in that thing. Like, when your fellow junkie friend tells you not to shoot up in a certain spot. He's like, no, man, it'll bring me down. He sticks the needle in this blackened hole in his arm.
Reginald Titus Jr.: Giving you hygiene advice. And it's like a close-up, like an extreme close-up, too, when the needle's going in. If you don't like needles or anything like that, oh, man, this is ultimate.
Casey G. Smith.: Uh-huh. And it's gross and he but he shoots up in it anyway and then literally hours later, you can see it it has gotten tenfold worse. And it's it's towards the latter part of the film. This is in the third act and it just, yeah, that it but it symbolizes the the the downfall leading leading to the climax of of of the movie and and the ultimate like loss of of of of what this this addiction brings for him. And then looking at the other characters what it brings for them, but that that theme of obsession and repetition, even to the point of a fault is is there and it it it also ultimately kind of like devouring you.
Reginald Titus Jr.: Gross. Uh, the style. In and this film, uh you see a lot of montages, you see like a lot of spiraling images. You has like an he was shooting with film, so it definitely has a a dated look. Like it looks like the '90s. It's kinda crazy how things look like they're from that era now. Uh when you look back, cuz everything's so clear and clean now. When you go back and look at some of these images, it's like, oh, there's a lot of grain in there. Um, and it it gives it a a certain texture, certain look.
Casey G. Smith.: He also mentioned, um, in shooting the film that he tried to use multiple eras, '70s, '80s, and '90s. Because he wanted to to look somewhat timeless, which is what he mentioned at the time, but it's kinda hard to make something look timeless when you don't know what the future's gonna look like. Based on technology and technique. How can you truly know? Again, I guess I think maybe the only way to make something look, I don't know. I honestly I don't know how you make something look timeless. Maybe maybe if it's in black and white and you make.
Reginald Titus Jr.: You can make something. I think we've talked about it before, but, um, you have to get rid of certain technologies, cuz he talks about, you know, timeless. So, like, you that big old TV automatically dates it. Yeah. You know. So, like, any time you like introduce any kind of technology. So, I think if it's something that's more fantasy kinda based, like, make or stranded on an island.
Casey G. Smith.: Or stranded on an island.
Reginald Titus Jr.: Yeah. Peter Pan and an island, like.
Casey G. Smith.: You gotta be like either, yeah, either fantasy or you have to be minimalized in in in a place of desperation where you don't have anything but you and nature. You know. So a stranded, the you and nature kinda kinda story where clothes are torn and ripped so you can't really tell what period they might be from.
Reginald Titus Jr.: Yeah, it's it's difficult to do. Um, timeless, I don't know. I don't know if there's anything that's like truly like timeless like that. Cuz you know it's based on vernacular, you know, gender relationships. Even the words that people are saying each other like, you go back into the '80s and like, some of the words that that are not acceptable to say on on screen now, like, they were just letting it fly in the '80s, you know.
Casey G. Smith.: Oh, man. There are movies that are PG and in the '80s, I'm like, ain't no way in heck. Ain't no way.
Reginald Titus Jr.: Like Airplane. Yeah.
Casey G. Smith.: Airplane is PG.
Reginald Titus Jr.: No way.
Casey G. Smith.: I I've got I've I've got the first uh the first two Airplanes and there's a scene where a woman just straight up like full frontal. Like it it doesn't even make any sense. Like in the context of the scene, everybody's freaking out and just out of nowhere, a topless woman runs right into the front frame with the camera, it stops, jiggles for a moment and then and then runs. And this is PG. This is PG. I'm just a guy from Brooklyn. What do you want from me?
Reginald Titus Jr.: MPAA just kinda took the year off. What do you want from me?
Casey G. Smith.: This is the '80s, man. There that's there's multiple examples that kind of crazy. I'm like, what? Parental guidance. So, I mean, uh. Nonetheless,
Reginald Titus Jr.: But then, but you can make a film that that holds up for a while.
Casey G. Smith.: Sure. You can definitely do that.
Reginald Titus Jr.: This film, it holds up in a way, you know, I would like to see it in Blu-ray. I don't have to watch this one on the DVD. So I would like to see what the Blu-ray looks like. So, it doesn't feel like it's from another time or anything like that. You know, it holds up for a little while, but it does have a little bit of time, a little, it has a little age on it.
Casey G. Smith.: Yeah. The clothing looks the clothing is '90s. How they are dressed is definitely definitely '90s. But then you have, again, you have Marlon Wayans' character and Aronofsky mentioned this in commentary, he, you know, he says, you know, Dynomite. Which is clearly a Jimmie Walker and, you know, '70s reference. And he he made he made mention of that. I'm trying to think of, is it the movie Napoleon.
Reginald Titus Jr.: When did he say Dynomite? What part?
Casey G. Smith.: It's like, right as they're kinda figuring out that they want to go into business and really make some money. Drops that line. Dynomite. But yeah, but yeah, and Aronofsky made made mention of that that he's trying he was trying to work in this this this blend and and using dated cars and and just various various things to to blend.
Reginald Titus Jr.: His name is Tyrone and he's saying Dynomite. Darren, we got to keep an eye on you.
Casey G. Smith.: I'm just a guy from Brooklyn. What do you want from me?
Reginald Titus Jr.: What do you want from me?
Casey G. Smith.: Yeah, so like time we were talking about timeless pieces. Maybe musicals, maybe films like The Artist, maybe.
Reginald Titus Jr.: I guess, I guess it depends on how you define timeless. I think that sometimes you can uh relegate a a film to be within a certain range, say within the 20th century like a certain period of time. Like I think I think there's a delineation between, I think if you go '70s, '80s and possibly maybe maybe '90s, but '70s, '80s, you can have some blending. '90s and the 2000s, you can have some blending. '60s, '50s and '60s, um '60s and '70s. Like when you have like a like a two two decade period, you can have some blending. Sometimes you might be able to stretch it to to three, so it can feel timeless within a certain range. But as far as like, I don't know, a 50-year period, then you really, sometimes you really have to push it to to achieve that. But I was trying to think like there's like, there's a couple of films where I've I've watched and I've wondered, when is this taking place? And I'm I'm trying to think of one offhand. Uh, one film that pops in my mind is like the movie like Napoleon Dynamite. Yeah. When you watch that, I'm like,
Reginald Titus Jr.: When, when are we?
Casey G. Smith.: Yeah, when are we? Cuz it it feel like it could be '80s, yeah, maybe '70s.
Reginald Titus Jr.: Is it Pedro for president? What did they have a year up? Wasn't it '80s? Did they have a year up on that one?
Casey G. Smith.: I don't remember. I watched it once and that was enough for my brain. I'm like, ain't no point to hurt myself.
Reginald Titus Jr.: Right. I'm done here.
Casey G. Smith.: Watching this. But yeah, that's one of those films where I was like, where are we?
Reginald Titus Jr.: He got dumber? He's like, yeah, ask yourself questions.
Casey G. Smith.: Am I crazy? What, what, what just happened?
Reginald Titus Jr.: Uh, I like when little quirky movies like that like kinda fall through the cracks like in society is like all this like commercial stuff is happening and then someone just slides in a Napoleon Dynamite.
Casey G. Smith.: Oh yeah. I had friends who loved it and they were quoting it all the all the time. Napoleon. But kudos to them for sliding one in there. But yeah, I have no idea of like I'm not no idea. I'm not quite sure when that took place. And I don't think they expressly say. But I have to go back and check to see if they had signs that that.
Reginald Titus Jr.: Come here, Reginald. Reginald. We need to keep an eye on you like like Aronofsky. Oh, man.

Aronofsky's Commentary Insights and Filmmaking Advice
Reginald Titus Jr.: So, the actual commentary took place. I like the way he opened it up. December 1st, 2000.
Casey G. Smith.: Just because we've been on a Venture Train with just like, so here we have a scene where
Reginald Titus Jr.: Like, where'd you come from? Announce yourself. Right. Yeah, December 1st, 2000 yeah, 2000. And we know that the movie was released October 6 in 2000. So it's not, you know, a couple months after that. So he seems to be in, I don't know, his attitude seems to be optimistic though. He doesn't seem like, you know, some people probably be pissed because it didn't do too well at the box office.
Casey G. Smith.: Yeah. I mean, clearly, I think he wasn't I think from the get-go and the onset he knew this wasn't gonna be a moneymaker. He knew the risks that he was taking. He wanted to make this film and it it, I don't think it was about making money. It was about getting the film out and the message out because it was the film takes so many risks and it is it is an uncomfortable film that doesn't have a happy ending. And there there's there's no catharsis. He mentioned that there's no catharsis at the end of this film. He even talks about it at the beginning, there's certain things that you almost never that Hollywood almost never wants to show. You don't want to see two of your your leads at the beginning not connecting. Like really butting heads, you the the romance doesn't work out. You know, the the the the the there's no happy ending. It's just like, it's like, well, damn.
Reginald Titus Jr.: One bummer after another. Yeah, you do have a point. There was, I don't think there was anything entertaining about this movie. Like, just like a from a pure entertainment standpoint. There was one part that the one where I kinda laughed a little bit, but I shouldn't be laughing. It was a guy who he he was a silent he was a drug dealer and couldn't hear. He was doing a sign language.
Casey G. Smith.: He's doing the sign language.
Reginald Titus Jr.: I'm gonna kill you. He's like telling Marlon Wayans he's gonna kill him. Yeah. And that was actually in that was uh that the the actual actor actually was deaf and actually, you know, doing the sign language, we actually recommended to Aronofsky that that line, you know, let me actually say it. And I'm like, oh.
Casey G. Smith.: You did.
Reginald Titus Jr.: I want you to get it. Even though, you know. It came across. It came across. Yeah. So even like it came across and he said, I'm gonna, and then he said, I'm gonna kill you. And I'm like, I got it. I got it. Yeah. But like, I don't know why that, like, I've never seen that in the movie before where like the kingpin, you know, can't hear you, you know. He's signing, you know, what's going on. Like, I've never seen that before. So that was original.
Casey G. Smith.: And I think I think I think it makes it makes him seem all the more powerful because he has he's had to overcome more. Where in some instances, you think, you know, in places like the hood where, you know, it's it's survival. How how just how powerful, like, what did this guy do? In light of overcoming, you know, being deaf and hard of hearing, what did this guy do to earn that kind of respect where people are gonna follow someone who who cannot hear? Because you would you would think that that person would be maybe an easy target. Like, he can't hear you coming or whatever. So, yeah, what did that guy do to earn that kind of respect where people follow him? That's gotta be a cold-blooded killer.
Reginald Titus Jr.: So that scene's going on and then like the front, like, they're in this limousine and SUV, I believe. And then the front, the driver like opens up the window and the front. Marlon's like, oh, man, you got a white driver. And then the driver like shoots the deaf guy and the blood sprays on Marlon's face and it's like, oh, okay. It was kinda funny at first, you know, threw a little joke in there and then now it got real right back again.
Casey G. Smith.: Very quickly. Got very real very fast. You couldn't escape. Yeah, I don't like from an entertainment standpoint. I didn't I wasn't really really like entertained even though, you know, I did follow the story and I liked the story, but but I like inter like just like entertainment. Almost like, you know, like looking at Schindler's List, like, you're not entertained by this, right? But you can respect it for what it is.
Reginald Titus Jr.: It's one of those films where you would only recommend it to maybe like film. Yeah. You know, you know, film fans. Like like legit film fans. Like I yeah. And I've got, again, I guess most of my my friends, you know, have like like film to a degree. But yeah, it's not something I'd I'd recommend to everybody. People that don't who like study film and and can name directors.
Casey G. Smith.: I'm like, you know, have you considered Requiem for a Dream?
Reginald Titus Jr.: Which you'll T. Yes. Requiem for a Dream. And if they're yeah, they've probably seen it. They're probably like, oh, yeah, I talk with a colleague at work today. And I mentioned that, oh yeah, we're we're gonna talk about Requiem for a Dream. He's like, oh, wow. And what I found most people say, oh, I haven't seen that in a long time. That one time. Right. I think once is enough. One is enough, really.
Casey G. Smith.: Yeah, I probably yeah. Yeah, I I probably could have uh gone without. It was good to revisit cuz then like I can appreciate cuz I'll be honest, I didn't know that that was Jared Leto in the lead role. I didn't know who he was then.
Reginald Titus Jr.: I told you I forgot.
Casey G. Smith.: I was like, oh, the dude has chops.
Reginald Titus Jr.: Even Jennifer Connelly like, she has a lot of work under her belt. I recognize her. You know what I'm saying. She's she's she's beautiful. She is beautiful. But then Marlon Wayans, I think, I remember when I first saw him and I was like, oh, wow. It was the first dramatic role I had seen him in. Right. What about Above the Rim? Remember did you see Above the Rim? Tupac. Oh, it's been a long time. He was in there. Holy smokes. Wow. It's been a long time since I seen Above the Rim. Yeah. That's what Tupac is the gangster has the carries a razor blade in his mouth. Yeah. And Marlon Wayans wanted to be, you know, put me put me playing with you, man. Huh huh. Huh. Man, it's been so that was that was high that was the start of high school. Wow. Yeah. Above the Rim was legit. Holy smoky smokes. That's that's a long time. Yeah, that's like '96, '95, '94, '95 somewhere around there. Oh yeah, it was real though. It was real nice. Above the Rim. Yeah, Tupac was getting his his acting chops on and poetic justice. Yeah. Juice. commentary, he seemed optimistic. Really enjoyed. He opened it up, closed it out. Yeah. at the end of the credits. Etiquette. Etiquette. So, you know, shout out to Darren for kinda stamping it, timestamping it, letting us know when and where we are. He even did mention that he's like, I'm in a cold studio. I'm like, oh, wow, he he really set the scene. Yeah, he. Thank you, Darren. Thank you. Thanks, Darren. We're with you. He said, I wish we could do a Q and A or. But this is a one-sided.
Casey G. Smith.: It'll be funny like someone's like, hey, you saw your commentary. I have a question about almost 20 years ago. Grown man now.
Reginald Titus Jr.: Man, when you think about it. Wow. Cuz you're graduating from high school this year were like born when this movie or maybe being conceived when the movie was being shot and then
Casey G. Smith.: I think about that too, um, as I get older, the film references, they have to be updated. Because I noticed when like, uh, I listen to, uh, uh, uh, Martin Scorsese or uh, uh, Steven Spielberg, and the stuff that they're referencing is like old. So, you know, rightfully so, cuz that's what, you know, affected them and what made them want to get into films. But the stuff that they're referencing is like, dear God, I gotta go back far to understand what you're talking about. And people like in my generation, they're like, you know, taxi driver. They're talking about, you know, uh, what's the one, the boxing joint?
Reginald Titus Jr.: Raging Bull.
Casey G. Smith.: Raging Bull, stuff like that. But, you know, generation a little bit under me now is like, you know, now you're talking about Tarantino, you know, Fight Clubs and all that stuff and you kinda gotta adapt as a as a director, as a filmmaker because the tastes are different. They're changing as well. So you gotta adapt and have some new references.
Reginald Titus Jr.: I guess I guess partially depends on when you're doing the commentary, who do you consider your audience? You know, are you speaking to people of your generation? You know, are you speaking to those like who, like, again, who is who is the audience you're speaking to commentary-wise? Are are you just speaking to those who just appreciate film who will say, okay, you know, I'll I'll dig I'll I'll dig and go a little further further or further further back. Because you could find those those little pearls and nuggets because, you know, there's nothing new under the sun. Things build on things of the past and I I I I like I like those deep cuts sometimes. I'm like, I do. I as as as I listen to the commentary for sure. Um, but I'm just thinking about if that's what that's in their brain as they're directing and as, you know, kinda the images is coming across their brain. I'm like, you know, are they adjusting because, um, I I use Tarantino a lot cuz he talks about this stuff. But the reason that he wants to quit after a certain amount of films is because he he's done the research on directors and he said, after like a certain period, they kinda lose it. Whatever it is, it kinda goes away. You know. And I think he said around like '60 or '50, late '50s, some early '60s, late '50s, somewhere around there. There's a there's an age where it just goes away. But clearly Ridley Scott has slapped that out of the park, right? So, but so that was just like a theory of Tarantino based on like, you know, the people that he's studied. But when you got somebody like Ridley Scott that kinda proves that, you know what, if you stay sharp, if you're producing your own stuff and this is what you want to do, I think you can can do it for a for quite a while.
Casey G. Smith.: And I think I think it all depends on obviously, it's an it's an individual thing, right? Even even with actors and performers. There are there are some who might want to do this for the sake of fame or fortune. Some want to do this because they love what they do and they want to continue to to make content or make quality content. And they may want to continue to collaborate and and learn and grow and I think it also may depend on maybe how many hats you're willing to wear, like, do you do you write as well as direct as well as produce, how much control can you have? When you get somebody like Ridley, you know, is a trained artist and can storyboard and do concept art.
Reginald Titus Jr.: And I think the main thing about him, too, is that he produces his films, you know, like, this is what I'm doing next. Versus kinda waiting for a job or kinda begging on a job. He's like, this is what we're doing next. You know. And has the, you know, the production company and all that to kinda put it behind it.
Casey G. Smith.: Makes his opportunities.
Reginald Titus Jr.: And some things work and some things don't, but he'll he'll go for it.
Casey G. Smith.: And I I think Tarantino is is the same way. I don't I don't Tarantino is he loves film so much. I don't know that he would could just like walk away. I know he he would, I think, at least minimum he would continue to write. I think something, I think he wants. So this is what he said he wants to do. He wants to write novels when he's done. I think I've heard that. Yeah, he wants to write novels and commentate on filmmakers and films. That's like his thing, which.
Reginald Titus Jr.: I could totally see him doing that. I would take all that. Like, give us more.
Casey G. Smith.: I'd like to see him do a graphic novel. Yeah, I'd like to see him write a graphic novel.
Reginald Titus Jr.: He's done one. Uh, the Django was Django.
Casey G. Smith.: Uh, was it a prequel to Django?
Reginald Titus Jr.: No, it was like the whole story, but there's parts in the graphic novel that aren't in the movie. I'd be interested in checking that out. I'll let you borrow it. Oh, you have it? I do. Indeed. How do we get on this? So, directors.
Casey G. Smith.: What were you talking about the actual commentary and?
Reginald Titus Jr.: Oh, references that are that are made in commentaries. So, one of the references that Aronofsky makes, you're speaking of that the time period that this falls in, being that it was released in 2000, at the very end of the commentary, he mentions how then there's one scene where you could something happens where you could see like the Twin Towers. Did he say that? Yeah, he actually made reference to that. And I thought I was like, wait a minute, I think I'm like, oh, this was the '90s. No, 2000. It was 2000, yeah. I'm like, oh, man, this is right before. And he's and he's from New York. Yeah. So I can only imagine how this would have impacted him. And even, you know, someone like Marlon Wayans, because they mentioned when they were shooting in, I think, in or by Brooklyn that there were like so many people that came out. I guess I I didn't know the Wayans were even from like from New York or or if he spent time in New York from a, I don't know, studying or background aspect. Well, maybe I'm maybe even Living Colour. Maybe that was shot in. Marlon Wayans was very popular in New York. That's all I know because Aronofsky made mention of that. So, but it's like a superstar. Like the dude's um, you know, the Wayans Show, the Wayans Brothers Show, you know, you had of course some Living Colour. Like, you start really kinda thinking about it. It's like, this dude stayed busy for a minute. Yeah. The Scary Movies, right? Yeah, the Scary Movies and then. That's right. Yeah. He was real popular. He was in G.I. the G.I. Joe movie. But leading up to 2000, though. Like, oh yeah, but till that. Yeah. And and always for the most part, you know, funny. Yeah. And then when he got into this, which was, you know, Aronofsky had a kind of push push for it, but he he believed in him.

Advanced Filmmaking Techniques and Challenges
Reginald Titus Jr.: So, let's jump into some bullet points to help you as a filmmaker. Of course, we go through these commentaries to help you as a filmmaker, movie producer, become better at that. We listen to these commentaries so you don't have to. When the movie opens up, you have Ellen playing mom. Her character like makes a statement. She's fighting with Jared Leto, her son, and she makes a statement while she's like hiding in the closet waiting for him to leave. What does she say?
Casey G. Smith.: So, it's right after he he leaves and she says something to the effect of, this can't be happening. It shouldn't be happening. But if it is happening, don't worry, Georgie. It's Georgie? Seymour. Don't worry, Seymour. Everything will be fine in the end. Everything will will work out. Something to to that effect. My personal thought, if you're hiding in the closet from your son, who is stealing your television, not the first time, but this is like a weekly or monthly thing. He's gonna go and sell it for pon it for drugs and you have to go and get it back. No, it's not gonna work out well. And it should not be happening. So, almost from the beginning, you have a a denial of of reality. And you have a relationship between a mother and a son that has this this barrier in in between, right? And there's a there's a a denial and there's an addiction. And and here's the funny thing, right? I just thought about this as we're talking about it. Her son is actually taking away the thing that is is a cause of one of her addictions, the television. To in essence feed his addiction. And so we already have the the theme of obsession and repetition because this is an ongoing thing that's happened multiple times. You know, just a thought.
Reginald Titus Jr.: When you're when you're putting together a script, screenplay, kind of figure out like within that first page or like what is the theme, what is the statement, what is that thesis statement? Um, there is a book called Save the Cat and he mentioned Blake, what is it? Sidfield? Blake Snyder. Nailed it. Nailed it. So yeah, in Save the Cat by Blake Snyder, he kinda talks about how you create these little thesis statements to kinda set the tone for what your movie is gonna be about. And so we have Ellen, the mother, kinda making that statement, you know, just kinda to play in your conscience for a little while. Finding your source material. Darren Aronofsky coming off the movie Pi, successful, sold it for $1.5 million, made, you know, came a millionaire off of it, I'm assuming. He was looking for his next thing to to work on. And so he optioned this book, um, this Requiem Requiem for a Dream. Uh, they optioned the book for a thousand bucks.
Casey G. Smith.: Which he said it was a was was a lot in in the late '90s.
Reginald Titus Jr.: Yeah, early in a filmmaker, you know, this is early on in filmmaker's and his career. So, you know, while Pi was going on, that was a lot of money for him.
Casey G. Smith.: Yeah, I'm sure it was.
Reginald Titus Jr.: Also, another point is the music. The music, um, was it Thane? What was the name of the the the orchestra?
Casey G. Smith.: The Kronos. Kronos Quartet.
Reginald Titus Jr.: Man. And the theme, uh, the overture, like, when they play that, that is like in the ethos. Like, I've heard that music before, before I even saw the movie. I've heard this song repeatedly online. It's just one of those like, kinda like creepy songs that kinda play in your mind.
Casey G. Smith.: Saw the movie.
Reginald Titus Jr.: Well, Clint Mansell, uh, who was the composer for the film, uh, Aronofsky mentions that he primarily did like a all digital or or electric instruments. He's sampling on a drum machine. Uh-huh. And so they, of course, they brought in the the Kronos Quartet and, you know, a requiem is, I went to kinda look up the definition of it. So a requiem can be kind of a a special token. Right. or or remembrance of of it particularly within the the the Catholic, the Roman Catholic faith, but it's kind of something that's done to recognize the resting of the souls of those who have passed. Or it can also be a specific set of musical compositions that accompany uh the recognition of a um a Catholic requiem. Yeah. So it it was fascinating to see that that that definition how music is is is playing into a recognition of of a little bit of of I don't know, kind of death uh to a degree. Uh, yeah. So it's almost like this this requiem for a dream is this haunting music kind of ushering in the the death of these people's dreams that they have. I don't know, my my take on it, but.
Reginald Titus Jr.: Man. I still don't know what the title means. It's.
Casey G. Smith.: But the the music it it it sticks with you. It's haunting and it really like pushes the the story right along. Um and then there's like this little sound effect that he that kinda plays before the overture plays. And it turns out that's a sound effect, a sampled Bruce Lee sound effect that he's playing on the drum machine. Cuz I was wondering what that sound was. It was like. And it's a Bruce Lee sound effect. I'm like, oh, what? Of course. Like, cuz I've always been drawn to that song and I kinda now it kinda makes sense. It's a little bit of hip-hop and then cuz with the sampling and then playing the orchestra on top of that. It's pretty cool. Your music can be a a character by itself and this and it really brings the story to life. It does. And even Aronofsky talks about using hip-hop montages throughout the film. And then having and only breaking up those hip-hop montages specifically once for Sarah and I think he does it once for Harry for some specific uh scenes. But for the most part, he likes to he likes to use hip-hop montages.
Reginald Titus Jr.: So, yeah, so that's a kind of a term he came up with. So, there's like these montages that that play and right say say somebody's gonna take some drugs. So, instead of actually just showing the person like shooting a needle or doing that, he'll show a sound effect. Like, somebody's sound designing all this stuff. Sound effect, somebody ripping up the container. Then the eyes dilating. Then the what's the little amiba or the blood cells. Is that what it was? The blood cells doing it, moving around. I don't know what that was. That was microscopic. Blood cells doing that. Or like, uh, the the heroin being snorted through a dollar bill. Like, all this like close-up stuff and it's like happening like split seconds. Real fast with sound effects. And that's like a hip-hop montage that he calls it. And he and again, when when addiction related things are happening, even as Sarah is beginning to take her her her dieting pills, they try to sometimes show those or her addictions in general. They kinda try to show those sometimes sometimes shot the same way as other drugs being taken with that quick. You know, seeing like the the reaction of of of her, whether it's with the pills. I think when she first gets like the the first diet that she tries with the the fruit and the whatever and yeah, it's it's fascinating that he that he does that. He even makes mention of that in the commentary. So you use, um, stories from your own life as a filmmaker. Use stories from your own life. So, what there's a scene with uh, Jared Leto's character and Jennifer Connelly. They're throwing paper airplanes over the side of a building and it's kind of just floating. And Darren Aronofsky kinda talks about how he used to do that as a child. When, you know, as a child, you know, doing this from the uh from the rooftops, um, that he would do that. And so, you know, kinda bringing things that that's kinda dear to him, memories, and kinda putting it into his work of art. Try to find a way to do that to make uh the work more you.
Casey G. Smith.: Yes. He he mentions several other scenes where these are things that he pulled from his actual life experience. I think also uh an important thing is sometimes maybe shooting in a place that you know. Yeah. A place that's familiar, a city that's that's familiar. If you're, you know, any filmmaker, you might be starting in your in your own town. But the fact that you know different places and what the traffic is like or who might give you permission. You don't necessarily have to travel far to to shoot what you know. Um, and your your intimate knowledge of certain places and street corners and places from your childhood or adolescence or college years could play a huge advantage in what you could frame up, what you can shoot, and the emotion and feelings you could bring to to a scene. And Aronofsky does that, I think, pretty brilliantly, brilliantly, throughout, uh, throughout the film. He definitely has an intimate love and knowledge of of areas of New York and and Brooklyn and things of that nature.
Reginald Titus Jr.: That's true, cuz he like, he showed a shot of his Jared Leto and um, Marlon Wayans, they're pushing the TV. And in the background, there's a roller coaster. Coney Island. That's what it was, Coney Island. Yeah, he he got a lot of love for Coney Island. He mentioned he referenced it multiple times throughout the commentary. So, he says, like, right after, not long after that, they knocked down the roller coaster. Uh-huh. Like, dang, so he just has memories like kinda stacked into this movie. Yeah, being under the piers and how he used to do crazy things underneath the piers and now a lot of the piers are kind of blocked off so people can't really go underneath them or they're tougher to access. Makes sense. Ain't no telling what's under there. Or who, what? Um, another thing is like ageism and sexism is real. And uh, Darren was kinda speaking about, uh, the the main actress, you know, uh, Helen, is it Ellen, right?
Casey G. Smith.: Helen Burstyn.
Reginald Titus Jr.: Ellen Burstyn. She plays mom and how she's like just an acclaimed actress. But for whatever reason, he hadn't seen her in a while. And, you know, because she's gotten a little bit older and things like that, she's not on the radar of certain people. So, she's did a lot of her work just on what, on Broadway, doing stage plays and things like that.
Casey G. Smith.: And her strongest work was in the in the '70s. She played the mother uh in the uh Exorcism.
Reginald Titus Jr.: Yeah. She has a very distinct face, so she's instantly recognizable. If you pay attention to people that maybe be looked over because of ageism and sexism, uh, pay attention to that. If you're a producer, if you're a filmmaker, and start bringing on these people because they are incredible actors, masters of their craft. And they can, you can learn a lot from them.
Casey G. Smith.: And you can have these these wonderful, at times Renaissance moments. Um, when Aronofsky was talking about Ellen and he compliments her continually throughout. Right. And she was again nominated for an Academy Award for her performance, rightfully so. She's incredible. But it also made me think of Tarantino. And when you hear him talk about bringing John Travolta on for Pulp Fiction. And how much he just, and when you when you hear John Travolta talk about when he met Tarantino and how Tarantino was such a huge fan and believed in his talent. And Tarantino even told Travolta that, I don't think you're making the the best movies that you could make.
Reginald Titus Jr.: Oh, Tarantino told Travolta that?
Casey G. Smith.: Yeah. Yeah, he told him that. And and and that kind of pushed him and and inspired and encouraged him to to go further. Uh, I think about um Michael Keaton.
Reginald Titus Jr.: Mike Keaton's the man.
Casey G. Smith.: Yes, he is. But, you know, up until a couple of years ago, he had, you know, small roles here and there. But when he did Birdman. Yeah. And then he was in uh Spotlight. And then that opened up, you know, his opportunity to be in, you know, Spider-Man Homecoming as as the Vulture.
Reginald Titus Jr.: Was he was he taking a break or was like Hollywood make him made him take a break? Like, what what I don't know the background, so I don't know.
Casey G. Smith.: Yeah, see, I don't I don't know. I I think it's one of those things that he just gotten older. Yeah. Um, and he would have had had just like just little role. He'd pop up here and there. Yeah. And like most actors, I'm sure he was going out for auditions and they were just like, ah, we don't know if you're right for this. You're Batman though. Exactly. But then for whatever reason, you know, Birdman was just like perfect for him.
Reginald Titus Jr.: I remember seeing Keaton actually talking about Tarantino in uh Jackie Brown. He's one of the cops.
Casey G. Smith.: He is. And that's the last time I remember seeing him. I remember he was in was it the the not the Nice Guys. It was it was the movie with um Mark Wahlberg and guys. No. Is that what it's called? Oh, man. They were cops, they were everybody was cops. Yeah, they were cops and he was a police chief who also at night moonlit at working at like a a home some kind of decoration store. That's hilarious. Yeah, it was it was funny cuz he he's hilarious, man. He is he's such a great actor. But, you know, like you said, paying attention to those actors that you might again because of ageism look over or or look past. When they have so many years of experience, so much talent they can bring to bring to the table and and bring these just just Renaissance. Because a a good movie, regardless of the the age of of the lead, if it's a good movie, it's gonna draw people in. True. You know, it will draw people in and and and when you have a chance to see it, it'll stop and make you say, oh, oh, yeah, I I forgot how great this person is. So, I I love seeing when you have the nominees for best actress or best actor at the Academies and you have like just this range of of of people, just a of just a like my brother loves to say a cornucopia of of options. When does he use that word? When he wants wants to be impressive. He says, it's a cornucopia. He knows a lot of options. He'll throw it out there. I'm like, I see what you're doing. You got a five, you got a five dollar vocabulary words. It's a cornucopia.
Reginald Titus Jr.: It's a cornucopia. It's a cornucopia. It's a Requiem for. That would be your Requiem if you use that word again. Yes.
Reginald Titus Jr.: All right, we talk about this a little bit earlier, but like there's rules in Hollywood for like, especially if you're making like commercial movies and things like that. And he says, you don't want to show your main characters fighting. You said it just a minute ago. People want to kinda relate to the characters. And people are not used to seeing their characters do, we're just not trained to see characters do that. You know, they need to become likable. Again, going to save the cat. That's the whole point. You save the cat so your character can be likable. Yes. So, any time you're doing a film like this, it's, uh, it could be difficult because of just the mindset of the audience. Can you think of another movie where the characters are just so, you know, where you don't really connect with them. You kinda go through the journey with them. You you may you may be shocked by what they go through. Um, you don't wish ill will on anybody, but it's not that you like just just care for and you hope that things will turn out well in the end. But when they when they don't, you're like, uh, you kinda got what you deserved or you or you made your bed, you should, you know, lie in it. Max Payne. That.
Casey G. Smith.: Max Payne. I don't know. But like, you know, a movie that's like, it's it's well done and and and.
Reginald Titus Jr.: Okay. So Max Payne was just a waste of money, basically. Not kidding.
Casey G. Smith.: Yeah, it was.
Reginald Titus Jr.: I took a day to that movie. I tried rewatching that when we were talking about whatever we were talking about on one of our last episodes. I took a day to that movie and that.
Casey G. Smith.: And took a day to that movie and that.
Reginald Titus Jr.: He wasn't relatable at all. Um. But a a movie that was done well, uh, what about the guy? Was the guy relatable in the Whiplash? Was he relatable at all on that one? Cuz I heard like a lot of things about his character. I haven't seen the movie, but. Oh, man, Whiplash is I yeah, I think that I think if if you're if you are a driven person and you're working as hard as you can. I think a lot of athletes and a lot of musicians would definitely relate to. Okay. To the character in. I heard somebody say, that's not how you learn to drum at all. The drummer was saying. But you know, you can always, sure, yeah, you can always. Yeah, you can always. Hey, hey. Nick picked the the technicalities. Okay, so maybe not that movie then. I can't think of any off top where it where it left me feeling like Requiem for a Dream left me in regards to the main characters. I can't think of too many. I can't think of any off top. Oh, yeah. See, I almost wanted to say Irreversible, but after that plays out, I then I feel I feel for the for the characters because of the way it plays. When you get to the beginning, you're like, oh, oh, oh. Yeah. So, no, I can't say that. It doesn't leave you feeling good, but. Yeah. Yeah, you know, I I don't know. I can't, yeah, offhand, I can't really think of a film where I'm just like, I don't care about these. I don't know, but. That's a that's a sad that's a sad ending and I don't. And I kinda care for this film, uh, the mother. I don't know, it's weird. It's uh, cuz it's not like your typical Hollywood film or whatever. So, you feel kinda conflicted. Conflicted but I still, for whatever reason, still care about these people. Right. You don't want you don't want ill will. You want them to pull themselves out. He's like, come on, you can do it. Get out of this. Yeah. Maybe after the first viewing, I felt that way. But now that I've seen it multiple times and I know there's no hope. Yeah. Maybe I care less. Oh, wow. Yeah. I think that's kinda what's happened. Like now that now seeing it three times, I'm like, there's no hope for you. I know how this ends. I know how this. Like you're this is your Requiem. Like your dream is is your dream is being played out in and it's there's nothing but more suffering for you. Yikes. I mean, that's I mean, really at the end of this film, that's what it's saying for each of these people, there is nothing but more suffering for you. You're the comfort that you're seeking is temporary. Who could really get out, though? Jennifer's character could get out. Uh, could is yeah, I mean. She could probably get out. But it would take it would take a strong intervention. No, these people can get out without. The only person that's probably gonna get out is probably Marlon's character. Yeah. Tyrone. Because he's actually going through the withdrawal stage of getting over the heroin drug. But so I don't know what state they they got arrested in. Yeah, that was kinda vague. But that's a so they're they're driving down south. I don't think they made it to Florida. Right. Yet. So they're in a southern they're in the south. Yeah. Which is clearly indicated by him sitting in the hospital and even the shots of him looking over his shoulders. And then even the reason why he was even arrested, he was, you know, he seems like he was arrested simply because he was black. Why are the police even coming up to you? You you've just been sitting here. Yeah. So, him being in prison is a racial thing as is. Who knows if he'll even get out? I don't know what he was charged with, if he was charged. I know, but he's been put on a chain freaking gang. Like, can this guy get out? You know, what what is he in for? Can he get out? Already you got, you know, guards that are abusive. And who would know? Yeah. Who would who would know that these two are are even there? That's true. So, so, I don't know. It's um, probably have to read the book to see what kinda sentence he got, but I don't want to. But. So, he's the only one that can actually overcome the addiction. Jennifer, her character probably not. Um, cuz some it's some it takes that strong intervention. Usually it's getting locked up and you you're forced to be sober. Um, and then of course, uh, Jared Leto's character, you know, because he had he was kinda forced to be in, you know, getting his arm amputated and then they I'm pretty sure they flushed all the drugs out of his system being in the hospital. So, we don't know if he's in the hospital and then he has to go right back to jail. You know. Oh, yeah. So, yeah, so we we don't know the details in regards to that. But as far as like addiction, they're both done. But his mom, she's done for. It's a rap. Yeah, man. Oh, that's real. Shock therapy. Makes me think of um, and spoiler alert, but uh, One Flew Over the Cuckoo's Nest. You ever seen that film? Oh, yeah. That was horrible. Oh, yeah. I saw that. I was like, oh, that that's a. Oh, man, yeah. Aronofsky said it. There is no, it's not cathartic. At the end, you don't get that that feeling at the end of, oh, yes, you know. The love story worked out or the the the parent-child relationship was redeemed. Cuz it it's and it's not even that, you can sometimes have a sad ending for a film, but you can at least sometimes take comfort that that maybe along the way within the journey, something got reconciled or fixed. Yeah. Some kinda closure. Yeah. But even with with Harry and his his mother, Sarah, when they have that moment where he says he's gonna get her a new TV. Again, you've got the way that shot is is set up with that you're gonna touch on, but that even ends kinda weird. And he sees that she's that she's going the route now of taking drugs and he recognizes it instantly. Oh, no, you're you're you're on drugs. You're an opiate. You're on opis? Upis? Yeah. And that she's getting hooked. I don't know, man. There's a production company, or uh visual effects company called Amiba Proteus, which uh Darren and his friends, they did like some of the special did all the special effects in the movie. He says over about 150 visual effects. He said they're like all invisi kinda like the invisible effects. So, like, you know, the appearing food, kinda enticing the mother's character, or like, the cupcakes, donuts coming out of the sky. Things like that. Um, so it's kinda interesting how, um, you can create a company that can still pay you. So, you know, hey, we need special effects. Let's create a special effects company and that'll be the special effects company for the movie. Hey, I mean, Rodriguez, Rodriguez did it. Yeah. You know, George Lucas. I like it. Did it. Yeah. Smart. Smart. Um, and that and that company was with uh Dan Shaker, Jeremy Dawson, Eric Watson. Created a team and keep all that money in-house, you know, from the editing, shooting. Yeah, write the script, you know, trying to keep as much as you can in the house. I think it's how the wealthy do it. That's how they get wealthy and stay wealthy. They just move money around within their cycle. Hey, very smart. So, he talks about permits. So, you know, in New York, you gotta have permits. L.A. even more stringent with regards to that. So, uh, Darren kinda talks about how kinda karma hit him because in Pi, he kinda bragged about how he kinda guerrilla shot it and didn't use permits and, you can't afford permits, you know, you're a student filmmaker or fresh out of film school and this is your first film, you're putting your life savings into it. So, you know, permits is just not a, you know, you're not gonna pay for them. And so he kinda talked about stealing shots, kinda bragging about it. And so he ended up with a a cop that's over that department. He says, oh, so you were you're the one talking noise, talking about you were stealing shots, so it kinda gave him a hard time. So, hey, if you're out there and you're doing stuff, don't brag about it. Yeah, might want to keep it on the low because again, if you're gonna go back to that same city, especially the city that you know, you know, you can you can be known but not for the wrong things. Yeah, you don't want to be infamous. Yeah, because he said that they made the shoot definitely more difficult for him. So he mentioned something about a sex scene. So he had to shoot quite a couple sex scenes in here. He said, so he mentioned he enjoyed it. Like, this is the first time I heard like a a direct say he enjoyed shooting sex scenes. Sometimes it's always kinda awkward, especially us being Americans. We're always weird when it comes to like nudity and things like that. But he mentioned that he actually enjoyed it and the uh scene with um uh with Marlon Wayans, I don't know the actress that he was with. But um they were having fun, um, in that scene. And he said, if you're like, if you're listening to it in like 5.1 surround sound, you can hear like kids playing in the background and all this other stuff. Right, right. Uh, Leah Campbell was the actresses. Leah. Leah Campbell. Leah. But see, it's interesting that he that he juxtapose that against the there's a scene then with Jared Leto and Jennifer Connelly, um, with Harry and and Marion where it's it's again, the common camera technique that that he uses even from the beginning when he kinda shows that the characters having trouble really connecting. Um, where they're it's split a split screen. And, you know, it's intimate. You see you see hands, you know, running along faces and body parts and it's supposed to be really intimate, but he saying that they're still they're still separate. You know, they're trying to connect but there's something in between them. I thought initially it was just, oh, it's a unique perspective. But, you know, it's really them not being fully connected. I don't think I got that from that. Yeah, I didn't until I heard the commentary. I was like, I missed that. I was like, I thought it was just, oh, that's that's kinda sexy. All right, it's kinda cute. Yeah, I kinda looked the way I see this film is that it's um, a talented filmmaker, a talented new filmmaker that got has a budget. So, now he wants to try like all the tricks. Like, I just learned how to do this. Let me try that. Cuz in this film, it's filled with style and like camera tricks and all the like, let's get this rotation. Let's bring in the robot. Let's bring in the the cage that the the actors can wear. Yeah. It's like a filmmaker that's got a budget and wants to try out a lot of things. That's what I that's what I that's what it feels like to me. Feels like to me. Yeah. Color theory. So, study some color theory so you can tell your story visually. This this movie happens, you know, over summer, fall, winter, like throughout the seasons. And he came up with like a kinda color theory. So, like during the summer, he would like have more warm lightings. During winter, he would like artificial, fluorescent, sodium, halogen lights. And then um, during the during like the fall, he would like have those lights kinda fighting each other so you can have like some of the fluorescents kinda bleeding into the orange or lights. Um, so that's like kinda theory that he came up with in order to kinda tell you and give you a feel for whatever season it was. And then during the winter, of course, it was like all artificial. And he said the summer was supposed to represent like hope. And all the characters are definitely hopeful and optimistic. I'm gonna get on TV. Hey, we're gonna sell a lot of drugs. Hey, I'm I'm working on my art and getting creative. Hey, you know, our relationship is fresh and young, we're gonna go for it. Hey, mom, I'm gonna buy you a new TV. Hey, son, I'm losing weight. Yeah. This is hope. And then, you know, he mentions he uses the effect that fade to white. And when he uses that effect, that is that's symbolizing characters going into their pipe dream. Beginning to kinda disconnect from reality and letting the dream begin to take over, which is where, you know, where the where the mom begins to when she's taking those the pills and, you know, instead of taking them on schedule, now, I'm just gonna pop two. And you see them, you know, two go into the hand. Uh, or when, hey, you know, the money's running low. Hey, let's just, okay, instead of saving money, let's just, okay, let's pull a little bit from from the stash. But yeah, they begin to go into the pipe dream. And then of course, uh, in the in the winter, yeah, things are just building to the climax and and and again, death is is is beating on the doorstep to to kill the dream. There was a scene um with our main actress Ellen. Again, we talked about her being like a master actress and she had given some performances for Darren. And there were like three like very variations of the same lines. Um, but she performed them spot on, but then she just gave three different options and they were so good that he had to make a decision on which way he was gonna which one she was gonna take because when you jux the pose what she's doing with the other actors, sometimes it may not match up. You know, it might be too over the top or whatever. Even though they did more than one take, they had to stay on that one take, whatever that one was. Because her performances, she just, she dialed it in and nailed it. So, I don't even know what to say about that.

Final Thoughts and Future Episodes
Casey G. Smith.: How would you feel about that? Like, performance-wise, would you prefer that you had an actor or an actress to to be in the scene where they lock in so much where you're you're have an embarrassment of riches to choose one particular shot to stay with or would you prefer to have several options that are that are really good, uh, but you can, you know, kinda cut cut in between because they they follow a certain continuity. I like someone that can be dialing like that. I prefer that just because she's giving you options, but it's not like you can mix and match the cuts. So, it's so, you're not going that way. So, you gotta make a decision. But I like someone that can dial in. So, he's like, okay, this is where we're going with it. And you can just always cut away to her, cuz she's basically carrying the scene. That's true. You know what, just just stay on her for a little bit longer. If more actors could study their craft and be on point, not instead of like wanting to be popular or wanting to be famous, but like, just wanting to be good at their craft. If there was more actors like that, man, that'll just be awesome. Okay, so there's something called crossing the 180. There's a 180 line. So when an actor is facing another actor, there's a line between them. Your camera's on one side of that line and you have to stay there. That's like the rule, that's the unwritten rule, it's called the 180. Whenever you cross that 180 and you shoot over that line, you know, you're shooting one character and then you flip the camera on the other side, it kinda disorients the person that's watching it and they don't know what the heck is going on. So, you have to, if you're gonna cross it, it's easy to cross it like when you're doing like action scenes or something like that. But when you're doing a scene where they're talking, you have to figure out a way to cross it line and it has to make sense. So you don't bring awareness to what you're doing. So, there's a scene with uh, Jared Leto, um, speaking with Ellen and he she's like on these drugs. She's hyped up. She's like, what are you doing, son? You're just getting married, have babies. He's saying all kinds of stuff. Oh, yeah. And then he looks over his shoulder, his right shoulder and he just realized that like, she's on drugs. Like, she's on something. And then while he does that, the camera rotates to the side that he looks at. Basically, Darren, uh, was saying he was shooting the characters on the lighter side of their face because there's like hope. It's optimistic or whatever. And there was a window on that side as well. Once he figures out, okay, she's on drugs and it's and it changes over. Now we're shooting on the on Jared Leto. We're shooting over his right shoulder. With the shadows fall. And it's dark and but I just think that I never seen that transition before in order to in order to cross the 180. Yeah. Pretty genius. And it makes sense to the story because that's that's things go dark. The relationship. That's the last time that he sees her. And they even, you know, embraced, but it's not a, you know, a super super loving embrace. It's kinda half half-hearted. They're still barriers between them. But yeah, that is, if I'm not mistaken, is the last time that that he sees her. Eating food. I know we talked about this before in movies. Eating the food and having your character eating something in front of somebody and where you can actually see their plate and see them eating. When you make a decision to do that, uh, make sure that it's intentional. Uh, cuz if not, you're you're your actor is gonna be forced to eat a lot of food. I don't understand why they don't have him just spit out like after you chew so much and you the take is done then. Yeah, I haven't spit it out. I guess when you're doing a commercial like that, we were it's shorter versus when you're doing a a long scene. You got a lot of back and forth and you need to speak in between lines. That could be tough if the camera's gonna the camera's gonna be on you. You're not sure how it's gonna be cut then. You gotta have them just power through and. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak and it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. Yeah, yeah, what else? He's the he's the he's the predator. He's a predator. He's devouring the meat and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampire on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and and the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he's he's sizing her up to figure how he can ensnare her. And um, he's cuz he's been hunting her for a while. You know, you can kinda get that that that feeling from when the first time she calls him. He's like, I didn't expect to hear from you. And now then even once they get into his bedroom, you know, Aronofsky made mention of how this guy's like a a little bit of a creep, but also just about the conquest. He's cuz he's about that. Kime's got the black sheets on the bed. And he even got he's the samurai swords in the background. And he even when he starts kissing on her, he's like, yeah, he's like. He's like vampired on it. For real. Like Nosferatu. Oh, so one thing like when she was like, turn off the light. She said, turn off the light. And then he was like, you never asked to do that before. I was like, whoa, this happened before? Yeah, right. You're right. She's been lying to Jared Leto. So here, but I'm I'm wondering cuz like they've they've recently got together, right? Oh, uh, her and Jared Leto? Yeah. Cuz cuz he even cuz he even says to his mom that, you know, he met a girl and he mentions her. So her relationship is fairly Yeah. I guess fresh. I guess maybe it was just okay then, you know, she was kinda just So it kinda makes sense though, why she doesn't want to go back to these people or whatever. Whatever she's involved in, whatever money that she comes from or whatever, it makes sense why she doesn't want to deal with these people. So, did she know Big Tim or he he introduced her to Big Tim, didn't he? Yeah. That's wild. Because then Big Tim goes to a whole Takes it to a whole another level of debauchery. If you're gonna use food in in your, uh, film and in the actor has to eat it, make it make sense for the story and for the character. Definitely depends on how they're shooting that. If there's, I don't know, if he used two cameras on that. I think it was just one camera. Uh, we did a cutaway, but I don't know if they're simultaneously using two cameras at the same time. Cuz that would have made it easier. It was between medium shots where you see the food and then there was close-ups on his face. But man, this guy was just tearing through this steak. And it kinda like talked about his character. Like, through the visually like how he was devouring that that steak, it just it looked good and he was just it was gross the way he. It was bad. It was gross but it looked good at the same time. He's the he's the he's the predator. He's a predator. He's devouring the meal and he