FMC 169: Kill Bill Written and Directed by Quentin Tarantino

Full Episode Transcript
This episode of Filmmaker Commentary Quentin Tarantino's "Kill Bill: Volume 1," exploring its production, cultural impact, and unique stylistic choices, while also discussing recent film news and the hosts' latest watches.

Opening Discussion & Box Office
Reginald Titus Jr.: Filmmaker Commentary, episode 169. Welcome to Filmmaker Commentary, where we cover movies with commentaries from directors who take the time to record them on Blu-ray and DVDs. We also give our detailed insights, so look out for spoilers. We discuss the latest in showbiz news, along with movies and TV shows that we've been watching. So join Reginald Titus Jr. That's me. And Casey G. Smith. That's me. Every week here on Filmmaker Commentary. Welcome to another episode of Filmmaker Commentary. I'm Reginald Titus Jr. I'm joined with Casey G. Smith. Welcome back, sir. Good to be back, sir. And today we're talking about Kill Bill, Volume 1, written and directed by Quentin Tarantino, 2003?
Casey G. Smith.: Yes, sir.
Reginald Titus Jr.: All right. And what was the box office and the budget for this film?
Casey G. Smith.: Kill Bill, Volume 1 came in with an estimated budget of $30 million, and a worldwide global box office gross of $181 million. Oh, dollar, dollar, dollar bills. Yeah.
Reginald Titus Jr.: That's a win. That's a win.
Casey G. Smith.: Yes, sir.
Reginald Titus Jr.: Man, I mean, yeah, he could do no wrong. You know, early stages of Miramax, like, "What do you want?"
Casey G. Smith.: Fourth film by Quentin Tarantino.
Reginald Titus Jr.: Oh, yeah, man. He loves his craft, doesn't he?
Casey G. Smith.: I think at this point, I'm going to give a look here, but I think this probably would have been his biggest box office, I don't know how well Pulp Fiction did, but I'm going to guess that this would probably be his, at this point, his best box office film. Just based on the action.
Reginald Titus Jr.: Okay. Yeah, maybe.
Casey G. Smith.: Let's see what Pulp Fiction did.
Reginald Titus Jr.: Bang for buck, I would say Pulp Fiction.
Casey G. Smith.: Oh, I stand corrected. Oh, I stand corrected. Dadgum. Check out Pulp Fiction.
Reginald Titus Jr.: Yeah, because it was like $7 million or something like that.
Casey G. Smith.: Yeah, $8 million, yeah, estimated $8 million budget. Worldwide gross, $214 million.
Reginald Titus Jr.: He's real that back.
Casey G. Smith.: Okay. Wait, second most successful. Still in good company.
Reginald Titus Jr.: But yeah, man, Pulp Fiction did, man, excellent.
Casey G. Smith.: Yeah, they they say that movie built Miramax, basically.
Reginald Titus Jr.: Mhm.
Casey G. Smith.: I don't doubt it. Don't doubt it.
Reginald Titus Jr.: $7, $8 million? Wow. Man, it was a phenomenon.
Casey G. Smith.: Yes, sir.

Initial Reactions & Showbiz News
Reginald Titus Jr.: Um, what were like the um, like sentiment at the time? What were people talking about?
Casey G. Smith.: People were loving this film. I mean, when Kill Bill dropped, it was just like, wait, what? Because like Uma Thurman, I mean, I I had maybe seen her in one or two things, but she more or less maybe like played kind of a model kind of role. Because she's, you know, tall and lanky, uh, has got a kind of a very like I think like a Eurocentric kind of look to her. But when you saw the trailer, you're just like, what is going on? And then you, and then if you're a fan of martial arts films or Bruce Lee, you see the outfit she's wearing and instantly know, okay, that outfit, that's a that's a Game of Death.
Reginald Titus Jr.: That's familiar.
Casey G. Smith.: Yeah, of homage to Bruce Lee, and you see the trailer like, okay, and it's got this this vibe to it, and you put Quentin Tarantino, you're like, oh, wait, this is a Quentin Tarantino film.
Reginald Titus Jr.: And she won us over anyway in Pulp Fiction. Like she, you know, she stole the scenes in Pulp Fiction, so.
Casey G. Smith.: 100%.
Reginald Titus Jr.: So like, I I I'll go see the I'll see her.
Casey G. Smith.: You feel like this is this is low risk. Like this is going to be a good time. Like, okay, Uma's back, Quentin's back. We're doing martial arts? We got Lucy Liu and what we got? Daryl K. Fox?
Reginald Titus Jr.: Yeah. Yeah.
Casey G. Smith.: Like these people like they were kind of the top of their game, like, okay.
Reginald Titus Jr.: They went in their prime.
Casey G. Smith.: Let's go.
Reginald Titus Jr.: Yeah. Yeah, it was a good look. Absolutely. Um, yeah, this was, yeah, he is good. Okay, uh, before we talk further about Kill Bill, let's talk about Volume 1. Let's talk about TV news and movies we watch.
Casey G. Smith.: So in the news, according to Deadline, Dungeons & Dragons: Honor Among Thieves, wields a $72 million global debut. Coming in higher than expected, the Paramount/eOne's Dungeons & Dragons: Honor Among Thieves took a $71.5 million global bow this weekend. That includes $33 million and 60 off from 60 offshore markets, which is nicely above the $25-plus projected ahead of the frame. Standouts include the UK, Mexico, Australia, Italy, Spain, Germany, and Korea. So yeah, I don't know if you had seen any trailers for the Dungeons & Dragons film.
Reginald Titus Jr.: My sons have. They were like, "Man, it looks like it might be good." And so they were like, "All right. I don't know."
Casey G. Smith.: I saw a couple of trailers in the theater. I went to, you know, to see Scream 3 and Creed, no, it's not Scream 3. Scream 6. Let me multiply that by two. Scream 6 and Creed 3 the same weekend. So I saw the trailer, all the big screen.
Reginald Titus Jr.: Yeah, that's a heck of a week. That's fantastic.
Casey G. Smith.: Yeah, it was it was a bloody good weekend. Um, and more ways than one. But anyway, so but that that trailer played twice, and I was like, it's kind of getting it's kind of getting to me. Kind of slightly interested, but um, but eOne is actually owned by Hasbro. Okay. So this is because they they've got like the the D&D license. And so like they're like this you know, entertainment is one of their one of their branches that they're trying to, you know, get into make some more money off of that. So you know, of course they're they're got to be crazy happy that this thing did this well.
Reginald Titus Jr.: I wonder what I wonder what the budget was.
Casey G. Smith.: For Dungeons & Dragons, it's it's going to be up there, 'cause I the trailers, there's a lot of a lot of effects going on. I think it's going to have a a still a little ways to go to get that budget back. But this buzz, I think, will will bring maybe some families out to by maybe sell some toys.
Reginald Titus Jr.: Yeah.
Casey G. Smith.: Yeah, well, I mean, yeah, definitely. I mean, yeah, Hasbro is I mean, the merch. The money's in the merch for sure. They've got all kinds of toys already um, being marketed. So Dungeons & Dragons Dungeons & Dragons: Honor Among Thieves, $150 million budget. Oh, okay, not bad. So far they've hit that $72 mark. So they're Not bad. Halfway, almost like halfway there to And that's just one week, so that's solid. Um, yeah, so they can maintain. I think I think still John Wick 4.
Reginald Titus Jr.: I got to watch. Dude, I've been missing so many movies at the theater that I should be watching.
Casey G. Smith.: Shame. Shame. Shame.
Reginald Titus Jr.: Who are you?
Casey G. Smith.: Here, you you are living a grown-up life. And uh sometimes we have to, you know, just pause and be like, oh, I'm I'm I'm going to come back to that. But yeah, so that's doing well. Another um article that grabbed my eye was according to the Hollywood Reporter, it says Endeavor nears a deal to buy the WWE and merge it with UFC. The UFC owner is in talks to acquire the wrestling company after January return of Vince McMahon to the sports entertainment powerhouse. 43 years after Vince McMahon founded the company now known as the WWE, and 70 years after his father entered the professional wrestling business, the McMahon family appears ready to give up control of their empire, closing in on a multi-billion dollar deal to sell the WWE to Endeavor. The Hollywood Reporter has confirmed.
Reginald Titus Jr.: Money, money, money.
Casey G. Smith.: That is wild to me, uh, because I never would have thought of Vince McMahon relinquishing control, but I guess, you know, having that time off when he stepped away and stepped down from creative, he was still on the board. That's that's very interesting that uh they're ready to potentially sell. That's a that's that's going to be fascinating to to to see because he was the creative source behind WWE for decades.
Reginald Titus Jr.: Wow.
Casey G. Smith.: So, uh, you know, and of course it all falls in in in in line right now with this weekend being WrestleMania weekend, for you know, any of you out there who are wrestling fans, you know, WrestleMania has again, this is the 39th one, and it's expanded from being a a one-night event, usually on a Sunday night at the beginning of April. Now it's a two-night event. They started that experiment during COVID, but now it's like they said, you know, this works. Let's just keep going.
Reginald Titus Jr.: I remember, uh, during COVID, like first when for stuff was shut down. And, uh, people were still doing like boxing matches and martial arts stuff, like the UFC was still doing stuff, but there was nobody, there was no fans or anything like that. Oh man, they looked ridiculous. Uh, and we had caught some of the wrestling stuff. I was like, what the hell what's going on?
Casey G. Smith.: Very early on. Yeah, it looked bad. Like no fan reaction. It's like that that that whole the whole entertainment is what is built off of fan reaction. But then they got smart and they created the uh, God, what do they call it? But they came up with the whole thing where they had people's people watching, but they had their digital cameras on. So they had all these screens around.
Reginald Titus Jr.: Yeah, yeah. It was like a digital crowd.
Casey G. Smith.: That actually it it it worked. Yeah, it it worked for what it was and um anyway, but yeah, so anyway, I I found that article interesting. But that's what I got for news. Reginald, what have you been watching?
Reginald Titus Jr.: Watching. Haven't been watching too much, but, um, for our scary movie of the week, we watched Annabelle. It was funny. Uh, my wife she was she was she was tired, so she went to sleep with the youngest kid and then so I'm like, all right, I'm tired, but I'm going to go in and then let's watch this film. Yeah, uh my oldest wanted to watch it. Um, the oldest, uh the third oldest, he was like, yeah, let's watch Annabelle. Isaiah, he was like, nah. He was like, nah. And then my daughter she just I'm leaning on the couch, she goes to sleep on my legs and then my youngest who's two years old just like just hangs out by my feet as well. They weren't really into it. Sure. But but my oldest son and the other two were horrified.
Casey G. Smith.: Let's get terrified, children. Oh, got him coach.
Reginald Titus Jr.: He said, that one, that one's kind of scary. That one. One I'm fancy, I think that one's rated R, I think.
Casey G. Smith.: Creatures crawling. Such a blood.
Reginald Titus Jr.: That was graphic on that for sure. So I'm like, yeah, you know, hey, you want to watch? He was like, no more. No more.
Casey G. Smith.: They got their feel, huh?
Reginald Titus Jr.: He was thinking about it. He was like, sleeping at night, he was like, I couldn't sleep. I said, what you thinking about Annabelle? He's like, yeah. From like 4 to 6.
Casey G. Smith.: Annabelle living rent-free in your mind. Man. I was like, this is great. They were horrified. That doll is ugly, man. You seen it.
Reginald Titus Jr.: He's looking. It's like.
Casey G. Smith.: It is, it is. I've I've yeah, I've seen enough like it it has a little little pop culture vibe going on. But uh I I know that the Marlon Wayans, he he and his brother, they did a spoof like I don't know, whatever spoof it, but they did and and that and they had a doll like that that was that was in it. It was it was crazy. It was crazy.
Reginald Titus Jr.: Man.
Casey G. Smith.: But uh.
Reginald Titus Jr.: Yeah, so they were horrified. That one was funny. Um, well, that was the movie like nothing was really funny about it compared to like Chucky. So they were able to kind of have more fun with the Chucky situation, but the Annabelle this one was serious and they were horrified. It was great.
Casey G. Smith.: This horror is real. They ain't playing.
Reginald Titus Jr.: What about yourself?
Casey G. Smith.: I checked out a couple of things. So I on Hulu, I ended up seeing um, I had been seeing this advertisement for this it was a like like a series, but it was called History of the World Part 2. And it was a Mel Brooks. I'm like, oh, okay, from Spaceballs and Robin Hood: Men in Tights, uh, I'm like, man, I like Mel Brooks. Then I'm like, okay, if this is History of the World Part 2, like, where's Part 1? Right. And so I find that on Hulu, which came out in like 1983, 84. It came out all the way back in the 80s. Whoa. I'm like, huh? And I'm looking at the cast. I'm like, wait, Gregory Hines is in this? Dang. Huh? And so I so I I proceed to watch that over the next like, I'm watching in the mornings before I go to work. But it's it's it's pretty funny. It's it's pretty funny. It's it's it's uh it's definitely of its time, because Mel Brooks loves to like push the envelope and, you know, he's the same guy who did Blazing Saddles. So there's always some racial stuff in there, and there's always stuff and he's he's a, you know, a a Jewish man, and so he's always got some of that kind of worked in there always. And he's and there were some clips from from this movie that I had seen years ago, but I never knew what it was from. And now I'm like, oh, it was from this thing. Uh, so that's kind of cool, like when you got those, like, man, what is that from? And you you finally see him, like, oh, that was all from History of the World Part 1. So, watched that, that was pretty funny. And then I'm I'm I'm I'm now I'm watching History of the World Part 2, which is broken down into a like a series, like they they take a section, like it's like episodes, it's episodic. So I'm like, all right, that kind of makes sense for this, and they're just covering different parts of time, and they're putting their spin on it and like, you know, making it funny. It's it's it's it's it's pretty wild, though.
Reginald Titus Jr.: History of the World Part 2. Yeah, I can dig it. But this one, Part 2, has all kinds of comedians and actors in it. Like, it's a it's a wide breadth of people. I'm like, just guest stars galore. A lot of Nick Kroll is in a lot of it. If you ever watched the um, oh man, what was that? That fantasy football, The League. They used to come on effects. He was the one who always said, oh, forever unclean. Uh, yeah, Nick Kroll, he's in he's in a lot of the uh, the the the the skits and episodes.
Reginald Titus Jr.: Wow. Yeah. I don't think I've seen this. Or maybe I have, but I just don't remember.
Casey G. Smith.: No, it's pretty it's this is pretty new. History of the World Part 2 is pretty.
Reginald Titus Jr.: I mean, Part 1, the one you were just explaining.
Casey G. Smith.: Yeah, I I didn't even know it existed. And again, I'm again, I, you know, I've seen a decent amount of Mel Brooks stuff. I never I was like, I've never heard of this until Part 2 came out, you know, almost 30 years later.
Reginald Titus Jr.: That one's rated R. Yeah. I take that back. I haven't seen it then. Yeah. I thought that was been something that was like, it was playing all kinds of stuff in my daycare back in the day.
Casey G. Smith.: Oh, yeah, this one this one yeah, this this one like Mel Brooks said to push it push the envelope a little bit more. But there's there's there's a little bit of nudity here and there. But it's like it's all like tongue and tongue in cheek kind of stuff. But it's yeah, but it it's it's it's uh it's something 'cause there kind of like with Blazing Saddles, they'll take some like modern things and kind of work them in. It's yeah, it's just that that kind of 80s kind of humor. Anyway, but uh but yeah, so I've been watching that. I finished up Wednesday on on Netflix. Finished that up. What do you think? I enjoyed it. I'm like, okay, when is uh Part 2? I I did I didn't I didn't figure out like who the you know, I'm not going to do. I was like, but I was like, oh man, it it kept me guessing and So yeah, so that that's nice to sometimes to be wrong. Cause that's I guess sometimes, but sometimes like, oh, oh, they got me. Uh, watched another episode of The Mandalorian. That's been okay. I actually today started watching Dallas.
Reginald Titus Jr.: Dallas. The old school?
Casey G. Smith.: The old school Dallas. I remember as I remember my mom used to watch it. And as a kid, every now and then I would see the episodes. It would come on like Friday nights. Um, you know, and I would you know, I would see that. And it was one of those things, you know, my family was from Texas. Like, oh, okay, you know, Dallas, you know, and it's it's it's big and you know, it's like that. And so they were doing their thing, and I remember everything from spoiler alert, when J.R. got shot and who shot J.R.? That was like a big deal. That was all over television. So, um, yeah, so I was like, you know, and what happens, I was looking for the articles today. For whatever reason, either the Hollywood Reporter or one of the outlets had had had some kind of retro review of the first episode of Dallas. I was like, huh? They're like, Dallas, you know, retro review. I was like, what? What is this about? I kind of clicked on it. I was like, suckered in. I'm like, where is Dallas? I'm like, you know, I was like, uh, Roku, where's where's where's Dallas playing? It's on Freevee. Yep. And so I literally started with it says Season 2 Episode 1, but it's really it's like Episode 1. They they may have done some kind of mini series thing before, but I don't know, but anyway, so I just started, I know it's the first episode. Yeah. And it that the intro shot is pretty awesome to see, 'cause you see how undeveloped that part of Dallas is. Yeah, man. I'm like, look at all that land. I'm like, oh, that's built up. Populated. For real. But yeah, so I I've watched like three episodes today. And it's it's pretty good. I mean, it went 14 seasons. You know? Got 'em. And each one's like an hour. I'm I'm sure I'll watch for a while. I'll probably probably Wow. Yeah, that's a lot. Um, I don't know. Anyway, but I started it. I'm not making any promises of finishing, but I started. And so far it's it's it's interesting. And it's like, okay, to see the very beginning of it, like, man, 14 seasons, man. Especially, I'm like, man, that's a that's almost that's that's a long time. And then they re then they do like a continuation of it recently.
Reginald Titus Jr.: Yeah. They did a reboot maybe like maybe about 2020. It was on TNT. They they did a reboot of it. But, um, but it's cool to see kind of where things start. And, uh, yeah, so we'll we'll see what happens from there. But that's.
Casey G. Smith.: Yeah, that yeah, Dallas that that's a.
Reginald Titus Jr.: Dallas is a city. You know, it's uh we got some good marketing.
Casey G. Smith.: Well, it it kind of hurt the the collective brand, 'cause people will see Dallas internationally and think that's how we still live. They're like, oh, you guys are, you know, everybody's, you know, living on a ranch or whatever. It's like, no. This was in the 80s. We've this is one of the top cities in the world for business. We have developed. We do have Western heritage, and that's more so in Fort Worth. But, um, you know, Dallas is a sprawling uh metroplex with many a suburb and, uh, modern amenities. We do have a football team. You might have heard of them. They actually show that in the in the shot. Like they show the old uh Irving uh stadium and you can see the Cowboys. I'm like, oh, they got the shot in there. Yeah. But I remember like in in like this was like early on, but I remember in later episodes when the intro comes on, they they intercut with like the actual images of the actors, you know. I just remember that as a kid, like, it was a cool intro, you know, and that but that song you hear, you're like, oh, this is some straight 'cause it's 78 when it launched. Like this is some straight like disco vibes. And even in one of the episodes, like they go to a new disco, and they literally start playing the theme in the background. I'm like, wow, okay. This you can hear the funk in him. I'm like, this is a disco song. Yeah. It's like, oh, this is a disco song.
Reginald Titus Jr.: It's like a brother was in there playing some of the instruments. They same. Oh, yeah, absolutely. Um, I watched um Succession. We started that on HBO.
Casey G. Smith.: Okay. They're on their last season I think just started or close to wrapping, I think.
Reginald Titus Jr.: Um, this uh Succession, so I've been seeing like the promotion and marketing for it. And I'm just like, one day. I mean, we went to business, we went to business school. So we like, we understand what Succession is. We just got to finish watching Ozark, that was business related. We like business related things. So we started this one. And it's um, like if I compare like the first few episodes in comparison to Ozark, two different worlds. Like I mean, Ozark starts with a bang, and ends with a bang. You know. This one, it's like kind of like a slow burn, but you kind of get a vibe for everybody pretty early on. Um, but the series centers on the Roy family, the owners of Waystar RoyCo, a global media and entertainment conglomerate, who are fighting for control of the company amid uncertainty about the health of the family's patriarch, Logan Roy, who is played by Brian Cox. So, yeah, man, it's it's just been crazy to see how these kids have been kind of vibing trying to get, you know, into the seat and like all the politics that go with corporate America and and to see the world, a lot of times we see the world as employees uh working for these companies, but you don't really get a chance to see the perspective of, hey, we're running the show. Like my dad owns the company. The you know, from that perspective is totally different.
Casey G. Smith.: This is what Dallas is. Yeah, 'cause it's about the the the the the Ewings are the super powerful oil like oil tycoons. Right. And you could tell there's some dealings happening within the city and councils, all kinds of stuff and how they have so much power. And and the oldest son, J.R., who always just wanted to run the company, is in that seat. And the youngest, or yeah, the youngest, Bobby, just just come back. He was.
Reginald Titus Jr.: Bobby.
Casey G. Smith.: He was they had him on the road kind of just like kind of glad-handing and kind of smoothing people, but now he's just got married to like the family's rivalry, like the one of their daughters.
Reginald Titus Jr.: Oh, that'll spice things up.
Casey G. Smith.: Exactly. And then she's trying to be accepted by the family. It's it's all already like you you you're you're dropped in the drama. You're like, oh, this is interesting. But it's but it's business. And now Bobby's like, okay, I want to be in the office and and work this executive style, and he's trying to get information from J.R. and J.R.'s like, look, I've been about this this life since we were little. He goes, and I've had to make decisions like I like I run this. He goes, and and and while I do, then he's basically telling us is like, you know, there are certain things I'm not going to tell you, 'cause Bobby's trying to get access to files, he's trying to get caught up and know what's what. But J.R. J.R.'s hella shady. Hella shady already. You're like, okay, this guy's a snake. Yeah. But yeah, so with Succession, that's that's fascinating. Yeah, they're working that business side. I'll tell you what I was most surprised with Succession when they got a second season. I was like, oh, I'm like, Succession, like, okay, I figured this guy's going to die first season. I was like, oh, like, uh, four seasons in? I'm like, uh, his health seems to be, you know, pretty decent. Some of the some of the crazy stuff is, uh, the Culkin brothers are surprising me, man. Um, I'm let me find what Culkin this one is. Uh, but there's two, 'cause there was one that we saw in the Scream movie. You remember that Culkin? Um, I got let me look up 'cause I looks similar. Similar. How many are there? I think. Just two?
Reginald Titus Jr.: They have a lot of brothers and sisters. Oh.
Casey G. Smith.: I think it's the one who's in The Good Son. 'Cause I I've seen some like featurettes from Succession or some interviews. I think it's the same one who's in The Good The The Good Son from way back in the day.
Reginald Titus Jr.: Kieran Culkin. Okay. He's Kieran. I'm sorry. Sorry for the So siblings you got Kieran Culkin, Rory Culkin, Dakota Culkin, Quinn Culkin, Shane Culkin, Christian Culkin, and Jennifer Adamson. All all siblings.
Casey G. Smith.: Don't forget Macaulay. Oh, yeah, Macaulay, of course.
Reginald Titus Jr.: What the Culkins going?
Casey G. Smith.: I didn't know there were so many Culkins. Yes. That's great.
Reginald Titus Jr.: Um, so yeah, so this is Kieran Culkin. So his character is nuts. Nuts. And, uh, so you can see him right there.
Casey G. Smith.: Yeah, I'm I'm familiar with what Yep, yep, that's him. I'll tell you what's interesting, like when you mention Succession, I mean, thinking about like shows like Yellowstone. I'm like, yo, these are these are all like kind of derivatives of of Dallas, of what Dallas is. Like this this family power structure. Um, interesting. I know it's making me think of that. I'm like, yeah, like Dallas was that kind of family power struggle. But Yellowstone is that, Succession is that as well, but more on the corporate side.
Reginald Titus Jr.: So yeah, we're about four episodes in. So yeah, it's good, man. Each episode about an hour? Yeah. Yeah, it's uh it's a little bit of a slow burn. If you don't mind drama and things like that, it's nothing like too graphic or anything like that. So, you know, you may not get excited, but uh.
Casey G. Smith.: But you'll be informed. Yeah, you'll be informed. Absolutely. Somebody might get talk talked to roughly.
Reginald Titus Jr.: Stern talking to.
Casey G. Smith.: Why'd you take that tone with me?
Reginald Titus Jr.: Like yeah, in other series, you're like, they should get shot. You know, like that's how they're handling their business.
Casey G. Smith.: Tone. Yeah, totally different. Uh, but also, I'm talking about Culkin, we watched uh Swarm. The movie uh that episode that with Donald Glover, um help create, help write and create. Um has kind of some of the same vibes as Atlanta. Um, I've only watched one episode in. But Rory Culkin is in that episode. So, when I when I first saw the advertisement or the key art for Swarm, it looks like a horror show, like a straight up like almost like a supernatural kind of horror show. But then when I seen of it, I'm like, no, it doesn't seem like it's that at all. Apparently it's like some some like women who maybe went to high school together or something like that, or maybe had.
Reginald Titus Jr.: I've only one episode in.
Casey G. Smith.: I don't know. I've never watched any of them. I'm just going by like what I've trailer-wise what I've seen. If it's what I'm no, I'm thinking of Yellowjackets. Never mind. I'm talking about something totally different. Yep. Never mind. So yeah, Atlanta vibes. So like yeah, if you've seen Atlanta, what are we what am I saying? Um, kind of the same kind of energy, you know, that out there it's it's black, but it's not kind of like the stereotypical like black.
Reginald Titus Jr.: Non-monolithic.
Casey G. Smith.: Yeah, so it's um, you know, 'cause you got like old like, this is black stuff. Um, so is it kind of like in a same kind of obscure weird energy?
Reginald Titus Jr.: Okay. Um, it's called Swarm. Swarm. Where is where is it based out of? Not shot-wise, but like location in the.
Casey G. Smith.: Um, I believe, ooh. I'm only one episode in. I want to say Atlanta or Houston. Where'd you watch it? Uh, Amazon. Is it on Amazon? Yeah, Amazon. Ah, okay. I think I've seen that pop up there. Yeah, so they've been promoting a lot of it. Um, it's not super exciting. It's it's a little little dark. Um, one of the one of the biggest things is um, are you familiar with Chloe Bailey, the singer?
Reginald Titus Jr.: No. African uh she has a sister. I forgot her name. I think her sister's name's Cailie Bailey, maybe. But they're probably like in their they're probably like in their they're probably like 20-ish.
Casey G. Smith.: Oh, they're real young.
Reginald Titus Jr.: Yeah, 19, 20. But what made them like kind of pop on the scene was when they were like a team when they were teenagers, they would like do these acoustic covers for like like Beyoncé songs or something like that. Very cute looking little girls. And they got signed with Beyoncé and stuff like that. So they're like getting it they're like going into their own as as women. And specifically Chloe Bailey, she's going into the like The Little Mermaid. I think that's one of the Bailey sisters.
Casey G. Smith.: Oh, got you.
Reginald Titus Jr.: So you have one Bailey that's doing like some of the Disney stuff, but Chloe she has like a sex scene in this Swarm, and so that like caused like a lot of buzz. So everybody's been talking about that online. Uh, on pop. And so you see both of the Bailey sisters talking about it and they like laughing like, oh my god, I don't want to talk about it. I'm so nervous. Oh. They probably work working part of that uh.
Casey G. Smith.: Yeah.
Reginald Titus Jr.: Yeah, so you got one that's in the Disney. Um, yeah, so she's you know, you got one that's with the Disney, and then you got one that's kind of doing some of the rated R stuff. So it's interesting to see their development over these years.
Casey G. Smith.: And what are their names?
Reginald Titus Jr.: Uh, Bailey. Chloe Bailey. C. H. L. O. E. Bailey. Hopefully.
Casey G. Smith.: Is it Chloe and Hailey? They seen the theme song to Grown-ish.
Reginald Titus Jr.: Oh, really?
Casey G. Smith.: Is that them?
Reginald Titus Jr.: Yeah.
Casey G. Smith.: Yeah, for whatever reason, once you said that, I was like, I think I think they seem that the theme song to uh to Grown-ish.
Reginald Titus Jr.: Hmm. I didn't know that.
Casey G. Smith.: I I I like that song. Anyway.
Reginald Titus Jr.: So, so yeah, so so far, pretty decent. But it, you know, it's dark. It's got the dark energy that Donald Glover has. Swarm. Swarm. And that's all I've been watching.
Casey G. Smith.: Okay. Well, this episode of Filmmaker Commentary is brought to you by Grinder Matter Films and Natural Hair the Movie. Available to stream for free on Tubi and Roku. On demand. Please check it out and leave a review.

Kill Bill Analysis: Initial Reactions, Casting, and Production
Reginald Titus Jr.: And let's jump back into the show. Thank you for tuning in to Filmmaker Commentary. We're talking about Kill Bill, Volume 1, written and directed by Quentin Tarantino, 2003. Let's jump into the synopsis. Four years after taking a bullet in the head at her own wedding, the Bride emerges from a coma and decides it's time for payback with a vengeance. Determined to finish the kill-or-be-killed fight she didn't start, she hunts down her former boss, Bill, and the deadly squad of international assassins who perpetrated the bloody attack. Kill Bill, Volume 1. And if this is your first time listening to Filmmaker Commentary, please know that there will be spoilers. You've been warned. And what's who's in our cast of Kill Bill, Volume 1?
Casey G. Smith.: Kill Bill features a star-studded cast, uh consisting of first off, the Bride, played by one Uma Thurman. O-Ren Ishii, played by the lovely Lucy Liu. As well as the vivacious Vivica Fox, playing the role of Vernita Green. As well as a comeback of one Daryl Hannah, from uh Mermaid or Splash fame.
Reginald Titus Jr.: Oh, that's right.
Casey G. Smith.: As Elle Driver. And we covered her in Wall Street, when she had the little weird run with the beach.
Reginald Titus Jr.: Oh, that's right. That's right. I was like, man, what else did we see her in? Yeah, that's all that's all 80s vibes there. But it was cool to see her make a comeback with something in the 2000s. We have the uh the the legend David Carradine, of Kung Fu fame, as the self-titled Bill. And we have one um, Quentin Tarantino fave, one Michael Madsen as Budd. Yeah. Uh, yeah, and some other uh actors as well who make appearances. I I also make sure to to to mention uh one of the Japanese actors who Tarantino was high on, who was the the sword maker. Where's my man?
Reginald Titus Jr.: Oh, Sonny Chiba? Sonny Chiba. Was that his name? Like his real name, but uh Hattori Hanzo. Wait, what was his name? It was.
Casey G. Smith.: He was doing the Ha Hattori Hanzo. Uh yeah, yeah, Shin Shin Shinchi Chiba.
Reginald Titus Jr.: Sonny Chiba. Hattori Hanzo. Oh, yeah. He's been around. Um, when did you how did you watch this film? When did you first check it out?
Casey G. Smith.: I'm not quite sure. Wow. I don't I don't think I saw it in the theaters. Maybe I did, but I don't I don't remember if I saw it in the theaters or not, or if it was later on renting it with some friends. Yeah, I don't remember exactly. Um, yeah. But when I saw it, I know I liked it. But I don't I don't know that I saw it in the theaters. How about you?
Reginald Titus Jr.: I remember it was around, of course, 03. I was in college and my sister, I was I remember being on the phone with her, and she's like, yeah, I think you'll dig this movie. You know, 'cause I mean, I was a Tarantino fan. I watched um Pulp Fiction probably 40 times, you know, while I was in high school. And so, um and it's been a while. And Jackie Brown at that time, I was like, yeah, you know, I wasn't really digging it as much as I do as an as an older adult. Um she's like, I think you'll dig this one, though. Because I was really into martial arts and all that stuff. So I was like, all right, I'll check it out. And so, yeah, dug it right away and got all the not all the reference, but a lot of reference from martial arts 'cause you used to watch a lot of martial arts films. And then got RZA involved, and I mean, talking about a martial arts nerd, that's RZA all day. I mean, his name is RZA for goodness sake. Um.
Casey G. Smith.: And what does it mean for the audience?
Reginald Titus Jr.: For like, so Wu-Tang, are you like RZA's part of the Wu-Tang Clan, and they all have taken names from different martial arts films. Characters for the martial arts film. Like they they have their own style, just like a martial arts would have their own style. And each one of these, each one of these rap characters have their own style. So, I mean, these guys are committed.
Casey G. Smith.: Oh, yeah, no doubt. Again, the 36 chambers, right? That's that literally falls to the name of of a of a film. Yeah.
Reginald Titus Jr.: Yes, indeed. And so, and they call, you know, their where they're from, even in New York, Brooklyn, they Shaolin, I mean, it was it's it's very, very interesting how they do their thing. Anyhow, um, what did you like or not like about this film? And how did you watch it this time?
Casey G. Smith.: This time, I watched it actually, I went to a buddy's place, shout out to my man, Chris Knox. Yes. Uh, went to to his spot. He's got a a nice home theater setup. And, uh, we you know, we rented it off of, even though I've forgot it on Blu-ray, but we rented it off of, um, on iTunes. Oh, iTunes. Okay. And it was streaming 4K. It was looking lovely. I was like, yo, it this it's a beautifully shot film. Absolutely. Even when I revisited it on on my TV, I'm like, yo, this is it's holds up. It's crisp, it's beautiful, even like the opening scene, um, you know, being in black and white, it's stuff is just popping. It's so crisp. Yes. And then the sound design is is is great. The music's great. I mean, I I I like it all. Yes. Um, in particular, man, I got to give mad props to Uma Thurman, because so many of the scenes, you know, you can you can see her face. You can tell she's putting in the work. Oh, yeah. And even even with Vivica Fox in in her in her scenes, like, I was like, yo, they're I mean, yeah, they have stunt doubles, you know, you know, Miss Monimaker is is Uma's double. Oh, Zoe Bell. Mhm. You can't go wrong with her. But, uh, but Uma's putting in mad work from her pronunciation of the Japanese words to even her learning how to actually hold and handle a sword. Yeah. She's like, yo, this is uh you got to stick that.
Reginald Titus Jr.: Oh, yeah.
Casey G. Smith.: But yeah, they're super physical. Um, some of the different lines and quotes, the music, yeah, I dug the whole thing. How about you, sir?
Reginald Titus Jr.: Likewise, I yeah, I like that they put the time in. Um, I like from a style standpoint, just the like how intentional shots are. Yes. It was like, this is intentional. This I mean, yeah, it's like, okay, this is a filmmaker putting this film together. We're not just getting coverage here. We're getting exactly what I want. Exactly. And Quentin says he won't move on until he gets Yeah. What he wants. Um, it's even in like, I looked at the script, um, it's even written like, for example, when, uh, when the movie opens up and we see, uh, Uma going like, this is the second scene after the first scene. Um, she walks at the house to see Vernita Green. And it says, white, white, long female finger pushes doorbell. And it's like close up. Like, that's in the script. That it's a close-up.
Casey G. Smith.: Makes sense. Cause there are so many specific close-ups in this film, you know, which is almost like a Tarantino thing. But it's also it's also a callback to these different kinds of films. Like the close-up on the eyes. Uh, many a time, like, boom, always coming back to the eyes. You know, and the sound effect of things moving around. Yeah. Yeah, very, very intentional. And that, um, so yeah, so I just kind of like how intentional that is, and that's a martial arts style. If you look at all the like older martial arts films, you kind of seeing those zoom-ins, you know, 70s style, too. Yes. Um, and then I just like the music, and I like that RZA was involved with it, and it just makes it feel more colorful. Yes, sir. Yes, sir. Culture. Um, there was no commentary, uh, but was there some special features on the Blu-ray?
Reginald Titus Jr.: Ah.
Casey G. Smith.: Uh, there was, there's there are a couple special features. Well, there's one that's called the making of Kill Bill, Volume 1. Then there is the 5, 6, 7, 8s bonus material performances. And then there's there's a bunch of Tarantino trailers for Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill, Volume 1 teaser, Kill Bill, Volume 1 bootleg trailer, and Kill Bill, Volume 2 teaser.

Filmmaking Style, Music, and Themes
Reginald Titus Jr.: Teaser. Um, from a tone standpoint, um, how do you what kind of tone are you getting? Violence.
Casey G. Smith.: Absolutely. Unflinching violence.
Reginald Titus Jr.: Absolutely. But it's also it's tongue there's there's a bit of tongue in cheek.
Casey G. Smith.: Yes. Within the film as well. So like when you again, a prime example is when uh the bride shows up at the the household of Vernita Green and she gets there and they start talking, and it's like to you know, the initial like, you know, seeing each other, shock. Yeah. And every time, you know, once the bride sees one of the people that were involved with her getting jacked up and killed, you know, or attempted murder, you hear the the kind of the kind of the siren callback effect. And then you see her flashing back to being in the chapel and seeing their face. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: Nice. And I only know that because like we watched the subtitles. And so like the subtitles will tell you like sometimes like what song it is that's playing.
Reginald Titus Jr.: I use those when I watch it watched it through again just to get some of the quotes down. That's super helpful. I was like, okay, let me see exactly what they're saying.
Casey G. Smith.: Right. Pause that. But, um, but just that tension, and then they go into the fight, which is like pretty crazy and intense. Yeah. And then all of a sudden, you know, you see them, they're in front of the window. And all of a sudden, you see the school bus coming in the frame. And you already know. She's got a kid. And she's getting off that bus. Yeah. And then all of a sudden the the whole vibe changes. Now they have to both look like they're just we're just playing. Old friends catching up and the little girl's like, what happened? I'll save that quote for later. But, you know, what she asked about, what what what happened in the living room? And she's like, that doll. No good doll. He said, it's actually food. Yeah. But yeah, you can tell the tongue in cheek back and forth. So, I I I dig that in the vibe. It breaks up the the intensity.
Reginald Titus Jr.: Oh, man. They're just old friends catching up and the little girl's like, what happened? I'll save that quote for later. But, you know, what she asked about, what what what happened in the living room? And she's like, that doll. No good doll. He said, it's actually food. Yeah. But yeah, you can tell the tongue in cheek back and forth. So, I I I dig that in the vibe. It breaks up the the intensity. Yeah, um, style, yeah, tone, I mean, um, yeah, because we open up black and white, blood, you know, Bill's talking off-screen. We don't know who he is. We do know who he is, but we don't know who he is. Um, you know, he's wiping her head down, you know, wipe that can, you know, cook a egg on your forehead. You're so hot. Kind of type of situation. His voice is great in the role. His voice is like perfect. Man, he's a professional. Yes, sir. Um, so why he's talking, we see this Bill, 'cause his handkerchief shows up. Do you think I'm sadistic right now? Like, yes. I mean, we don't really know what happened. We just see this bloody lady in a bride gown. Yeah. Um, dress. And she gets her face gets shot, basically. You know, off top. A woman laying on the ground, bloodied, beat up. A man is talking to her, so obviously he's involved with the beating of this lady in a bride dress. This is pretty brutal. Then he shoots her in the face. While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.
Reginald Titus Jr.: Oh, yeah. That's a Quincy Jones track. That when you hear that alarm that, you know. That's Quincy Jones uh composition.
Casey G. Smith.: While she's trying to tell him the baby is your The baby is. You ain't finishing this sentence. No. Yeah, that's rough. That's just the tone for what we're getting involved in. Somebody cancel this. And, you know, good thing it was in black and white. They probably wouldn't have got a rated R, um rating. Probably would have been NC-17. Hmm. Yeah. They probably would. You can't just shoot a woman in the face, like close-up. That's the first shot of the film. Yeah. Oh, you got shots, huh? Okay, we got we got we got something for you. Yeah. Um, from a music standpoint, I mean, dude, they this it's solid. It's like listening to a soundtrack and Beautiful. Then you have the compositions that's played. I mean, this is well done. Like you can tell this is like, um, love. This is done out of love.