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Podcast

FMC 176: Once Upon a Time in Hollywood Written and Directed by Quentin Tarantio

August 29, 2023
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This week on Filmmaker Commentary, Reginald Titus Jr. and Casey G. Smith deliver a comprehensive commentary on Quentin Tarantino’s 2019 film, “Once Upon a Time in Hollywood.” They dissect its financial performance, diving into budget specifics and box office results, and explore the varied critical and audience reactions, including how its period piece nature may have been received. The hosts celebrate the film’s Academy Award wins, particularly Brad Pitt’s supporting actor triumph and the stunning production design that meticulously recreated 1969 Los Angeles.

They ponder Tarantino’s knack for elevating supporting roles across his filmography, citing examples like Christoph Waltz and John Travolta. Beyond the main feature, the conversation shifts to current industry trends, examining Pixar’s recent struggles with films like “Elemental” and “Lightyear,” and questioning whether studios are getting too comfortable with their storytelling. They also review “The Flash,” discussing its mixed reception, CGI quality, and box office woes, and share their surprisingly enthusiastic thoughts on “Transformers: Rise of the Beasts,” praising its human element and nostalgic soundtrack. Other films like “Nope,” “The Little Mermaid,” “Creed 3,” and even classic “Major Payne” come under the spotlight, alongside insightful filmmaker tips and a look at recurring Tarantino tropes.

What We Cover

  • A deep dive into “Once Upon a Time in Hollywood’s” box office and critical reception, exploring the audience’s reaction to Tarantino’s historical narratives.
  • Analysis of the film’s Academy Award successes, especially for Brad Pitt’s acting and the exceptional production design, drawing comparisons to other Tarantino films.
  • Discussions on Pixar’s recent theatrical underperformance, prompted by “Elemental,” and the impact of rapid streaming releases on movie viewership.
  • Reviews of major summer releases like “The Flash,” assessing its CGI quality and its reception and impact, and “Transformers: Rise of the Beasts,” noting its surprising appeal.
  • Exploration of “Nope” and “Creed 3,” highlighting standout acting and narrative approaches, alongside broader conversations on filmmaking techniques and storytelling.
  • A look at iconic Tarantino tropes, from feet shots and margaritas to characteristic dialogue and the use of narration, reflecting on their evolution.

Key Moments

  • [01:00] Initial audience reaction and box office numbers for “Once Upon a Time in Hollywood.”
  • [05:20] Discussion on the film’s Academy Award wins, particularly for supporting actor and production design.
  • [10:10] The hosts’ debate on the impact of “The Hateful Eight” and Tarantino’s stylistic evolution.
  • [11:00] How well the film recreates 1969 Hollywood, highlighting the detail in set and costume design.

Gear & Films Mentioned

  • Once Upon a Time in Hollywood
  • The Hateful Eight
  • Inglourious Basterds
  • Django Unchained
  • Death Proof
  • Pulp Fiction
  • Elemental
  • The Good Dinosaur
  • Onward
  • Lightyear
  • Inside Out
  • The Flash
  • Transformers: Rise of the Beasts
  • Bumblebee
  • Nope
  • The Little Mermaid
  • Major Payne
  • Final Destination
  • Ready Player One
  • Loki (TV series)
  • Ant-Man and the Wasp: Quantumania
  • Creed 3
  • Stan Lee (documentary)
  • 3000 Years of Longing
  • Kraven the Hunter (trailer)
  • Captain Planet
  • Ozark (TV series)
  • Scream (2022)
  • Barbie (movie)
  • Lady Bird (movie)

Listener Questions

  • How did the portrayal of 1969 Hollywood and the Manson Family events resonate with audiences and critics?
  • What impact do quick on-demand releases have on a film’s box office performance, especially for studios like Pixar?
  • How does Tarantino’s distinctive directorial style evolve in “Once Upon a Time in Hollywood,” particularly concerning character development and historical settings?

Join Reginald Titus Jr. and Casey G. Smith each week on Filmmaker Commentary for more in-depth film discussions.

Full Transcript

Read the full transcript

Full Episode Transcript
This episode of Filmmaker Commentary Quentin Tarantino's "Once Upon a Time in Hollywood," exploring its box office performance, critical reception, the handling of sensitive historical elements, and the director's signature style. Hosts Reginald Titus Jr. and Casey G. Smith share their personal reactions, discuss industry news, and review other recent films and series.

Opening Discussion: Box Office and Audience Reception
Reginald Titus Jr.: Filmmaker Commentary episode 176.
Welcome to Filmmaker Commentary, where we cover movies with commentaries from directors who take the time to record them on Blu-ray and DVDs. We also give our detailed insights, so look out for spoilers. We discuss the latest in showbiz news along with movies and TV shows that we've been watching. So join Reginald Titus Jr., that's me, and Casey G. Smith, that's me, every week here on Filmmaker Commentary.
Welcome to another episode of Filmmaker Commentary. I'm Reginald Titus Jr. I'm joined with...
Casey G. Smith: Casey G. Smith.
Reginald Titus Jr.: Welcome back, sir.
Casey G. Smith: Good to be back, sir.
Reginald Titus Jr.: And today we're talking about Once Upon a Time in Hollywood, written and directed by Quentin Tarantino, 2019. What was the budget and box office for this Hollywood film?
Casey G. Smith: So, on a $90 million budget, Once Upon a Time in Hollywood came in domestically at $142 and a half million, with a worldwide gross of $377 million.
Reginald Titus Jr.: Hmm. I don't know what to say.
Casey G. Smith: It's a win but not a big win.
Reginald Titus Jr.: Yeah. Especially for domestic, you know, it's uh, that's not even getting their money back, really.
Casey G. Smith: Yeah, I think coming off The Hateful Eight, I think...
Reginald Titus Jr.: Yeah.
Casey G. Smith: Yeah, I think The Hateful Eight may have hurt Tarantino a little bit.
Reginald Titus Jr.: Yeah. And thinking about, like, what's the last movie we kind of, like, I get excited for all of his films because you never know what's gonna happen. But after seeing the trailer, it's like, okay. Uh, probably Django was the last film where it was out there and I was like, what year was Django? We did Django, what year was that again? I forgot.
Casey G. Smith: I think it was probably like 2016 or 2017.
Reginald Titus Jr.: 2016, let's see here. Um, and Inglourious was before Django, right?
Casey G. Smith: Yeah, yes it was.
Reginald Titus Jr.: Okay. Um.
Casey G. Smith: Django was 2012.
Reginald Titus Jr.: Okay. Excuse me.
Casey G. Smith: Inglourious was 2009.
Reginald Titus Jr.: I would say, I was excited for Inglourious, but I couldn't wait to watch Django. The other films, Hateful Eight and this one, not so much.
Casey G. Smith: Yeah, this one I didn't, I didn't go and see in the theaters. I remember, I remember you went and saw, wait, maybe did I see it? No, I didn't see it in the theaters. I waited for this one.
Reginald Titus Jr.: Yeah.
Casey G. Smith: Um, but I remember you went and saw it.
Reginald Titus Jr.: Yeah, me and the wife did. She went to sleep.
Casey G. Smith: Yeah.
Reginald Titus Jr.: And I was just, and I left just like, we'll talk about it on, you know, how we watched this film, but...
Casey G. Smith: I remember you had mixed feelings about it. You were like, you're like, I'm not quite sure how I feel about it. You're like, I don't know if I think it's a not that great or maybe a masterpiece. I remember, I remember you were kind of you were teetering between you were saying that you needed to see it again to kind of make your decision.
Reginald Titus Jr.: Yes. I made my decision. But I think the audiences weren't really ready for this film. It's like, we don't really want a historical piece.
Casey G. Smith: And well, and all of his his the past several films are all period pieces from Inglourious to Django, to Hateful Eight, to this.
Reginald Titus Jr.: Yeah.
Casey G. Smith: So that's also what's what's jacking those budgets way up.
Reginald Titus Jr.: Well, I think with Inglourious, the if I remember correctly, they did pretty, it performed well at the box office. So did Django. Them being period pieces, um, it's just that, um, with Hateful Eight, I don't know. I just feel like that one, they audience just weren't feeling it.
Casey G. Smith: Super, it was, you know, obviously extra long and the whole pushing of the 70...
Reginald Titus Jr.: Millimeter, yeah.
Casey G. Smith: Yeah, 70 millimeter aspect of things. Yeah. I mean.
Reginald Titus Jr.: Inglourious 70 millimeter. Yeah, um, they oversold that. Yeah. Well, Westerns, you gotta be careful. You gotta, you need something spicy in there. Um, that was a hard sell. And then even with this one, Once Upon a Time in Hollywood, even though that's his perspective on things, I still think it's kind of a hard sell.
Casey G. Smith: Mm. And it also had a little bit of uncertainty and uneasiness to it because you were, because I remember early on when they first mentioned they were doing this film and that they were dealing with partially the the Manson Family murders and and Sharon Tate's murder. Already there people are like, okay, how is that gonna be handled? Because that that was a major tragedy in Hollywood at the time and her her murder and the other three people that were murdered and her unborn child, that was all just absolutely tragic. She was, you know, a star on the rise and, uh, so people were wondering, okay, how is this going to to play out? And I think that that led to some trepidation in regards to the film.
Reginald Titus Jr.: Yeah. Yeah, I would that actually that part of intrigued me. I was like, how is he gonna treat this? I'm like, I'm gonna go watch this. Um, turns out like it, uh, it really didn't, it wasn't there in that world that often. You know, it was just a thing that happened.
Casey G. Smith: For sure. We'll definitely dive into more more of that.

Handling of Sensitive Themes and Tarantino's Acting Choices
Reginald Titus Jr.: What kind of awards did uh Once Upon a Time in Hollywood garner?
Casey G. Smith: So typically, what we find when it comes to the Academy, they typically love films that that deal with Hollywood. Like, typically those films clean up pretty well. And this one was nominated for a litany of Academy Awards from Best Performance by a Leading Actor for Leonardo DiCaprio, Best Achievement in Costume Design by Arianne Phillips, Best Achievement in Cinematography by Bob Richardson, Best Motion Picture of the Year, Best Achievement in Directing, Best Achievement in Sound Editing, uh, Best Achievement in Sound Mixing. It won for Best Achievement in Production Design for Nancy Haigh. Oh, Haigh and Barbara Ling. It was also nominated for Best Original Screenplay, and it won also for Best Performance by an Actor in a Supporting Role: Brad Pitt. So we've seen multiple times Best Supporting Actor roles won by Tarantino films. We saw Christoph Waltz get it for both Django and Inglourious Basterds. Uh, we saw Travolta get it for Pulp Fiction as well. Hmm, am I missing somebody else? But yeah, but we've seen that often like Best Supporting Actor awards going to to Tarantino films.
Reginald Titus Jr.: It's funny how, it's because in those roles it's like those, um, actors get to shine. It's like those characters like out of the movie, they have like some of the best stuff going on. Um, and it's I guess it's like almost like that should have been part of the lead. Should have had some of that interesting things going on, but that supporting character like, I don't know how he does it or how he writes it that way where they really steal the show.
Casey G. Smith: Mm.
Reginald Titus Jr.: And like, it's like, yeah, it's obvious, yeah. And I think the people that are now, that are, uh, handing out these awards are like, okay, well, we're not gonna give him Best Picture, but...
Casey G. Smith: Yeah. We know the supporting was great.
Reginald Titus Jr.: Exactly. You know.
Casey G. Smith: Uh, not Best Picture or Director, but, uh, writing, screenplay. Yeah, that's good. That's good.
Reginald Titus Jr.: And for this one with production design, I can agree because they recreated Hollywood for that time and that is very expensive. I'm assuming a big chunk of the budget went to that. And Brad Pitt and, uh, DiCaprio.
Casey G. Smith: Yeah, no doubt. It it the film is, I mean, you are you are you are you are transported to that time of the the very end of the 60s and and um, you know, what Tarantino's and other people's memories of uh, the Hollywood Strip and and what it looked like at that time.
Reginald Titus Jr.: What were, um, and so Brad Pitt winning that, Best Supporting Actor. It seems like he finally aged into the character he was he's that's gonna win these Oscars. Because it's always seemed like he was like too pretty for stuff.
Casey G. Smith: Hmm.
Reginald Titus Jr.: It's like, oh, he just got that cuz he's pretty. You know, kind of like, it's like a double standard, you know, when when it comes to very, very attractive people.
Casey G. Smith: Once I saw him in in in Fight Club, I was like, nah, this dude, this dude's the real deal. But this but you're right. There are multiple actors who, again, when they're younger, if they're attractive, especially guys and they they do some movies that are kind of sillier or whatever, then they get kind of written off. And then they get older. Again, Leo, Leo, we know, you know, he early on he had some of that, but he he was doing some amazing, I mean, what's eating Gilbert Grape? He was the Basketball Diaries, Leo was swinging swinging for the fences. Early. But, um, but yeah, once they kind of get past that and they get a chance to kind of flex their chops, whether the Brad Pitts, the Johnny Depps, uh, of the world. Yeah, again, I'll even say like guys like Robert Pattinson, you know, coming out of the Twilight stuff, he was he was people dismissed for Twilight. I'm like, man, y'all y'all have not watched Pattinson's other performances. And him in The Rover, incredible. So, yeah, I I agree. Um, but Brad's the real deal, man. He's and he's constant constantly working.
Reginald Titus Jr.: True. I don't know, it's just something about this character is like, dang, he I can see I can see him. I can see this character. It's like I don't see Brad Pitt. I see Cliff Booth. You know what I mean? Even in Inglourious Basterds when he was playing, I was like, eh, not quite. You know, when he was when he was playing the what was it? I forgot the guy's name that he was playing in Inglourious Basterds, but even with that character I didn't quite buy it all the way.
Casey G. Smith: Hmm.
Reginald Titus Jr.: Cliff, sold. He sold me on it.
Casey G. Smith: Aha. It's weird. So I I I had this this weird thought of just kind of with these two characters in particular, with Cliff and with Rick, I almost feel like Cliff is a almost a spiritual precursor to our stuntman in Death Proof.
Reginald Titus Jr.: Oh, Stuntman Mike.
Casey G. Smith: Yeah, like if he had like kind of just gone dark because Cliff has a little bit of a shady past. And again, we're getting too deep in the film already. We haven't gone to the news yet. But, um, but he almost, you know, potentially could be a...
Reginald Titus Jr.: Shout out to all those stuntmen.
Casey G. Smith: Like a twisted version of, you know, who becomes like Mike. And then when I think about Hangman from Inglourious Basterds, he re he he even even the way that Rick Dalton talks reminds me of Kurt Russell's Hangman character. At times when he's talking, I'm like, man, he reminds me of Hangman.
Reginald Titus Jr.: Hangman from The Hateful Eight. Oh, Hateful Eight. I I when you I thought Inglourious Basterds. I was like, Kurt Russell, Kurt Russell. Uh, but yeah, in Hateful Eight, yeah. Yeah. It's like their characters are merging. It's like...
Casey G. Smith: That's yeah, it feels like, huh, it feels like there's...
Reginald Titus Jr.: nuances of different characters and but I I blamed it on the writing and the accents they're using. But but they could all be interchangeable. Like they could switch. You know, Cliff Booth can be Kurt Russell's character and Kurt Russell can be the stuntman. Uh, because Kurt Russell, that's his actual background.
Casey G. Smith: Mm-hm.
Reginald Titus Jr.: You know, that's his family lineage and stuff. So, uh, either way, it could play either way. It'd actually probably be funnier with Kurt Russell playing, uh, Cliff Booth.
Casey G. Smith: That would have been that would have been very interesting.
Reginald Titus Jr.: He just has that he just has that funny delivery sometimes and he's got the same charm. Uh, but uh, but just him officially being an older, older man, you know, beating up people just been funny because you can still believe it with Kurt Russell. He still's got that swag.
Casey G. Smith: That's true. That's true.

Recent Movie/TV Watches & Industry News
Reginald Titus Jr.: Any rate, what was the sentiment at the time? Uh, with Once Upon a Time in Hollywood 2019, pre-COVID?
Casey G. Smith: Again, I think it's split between the way you and I were thinking. I think maybe half the audience was curious how the film was going to be handled because it was dealing with a pretty, um, touchy subject matter, especially bringing up, you know, again, Sharon Sharon Tate's and and Charles Manson, the Manson family and those those murders. And then some were maybe, you know, kind of cautious about it, and some maybe had maybe a little Tarantino burnout from some of the previous some of the previous films, especially again, when you come off The Hateful Eight. I mean, The Hateful Eight was that was that was a rough one. Like that that kind of took some shine off. I was like, eh, you know, maybe I'll wait on on this one. Plus also the this was right as the pandemic was...
Reginald Titus Jr.: Nah, this one.
Casey G. Smith: No, it hadn't kicked in just yet.
Reginald Titus Jr.: No, nope.
Casey G. Smith: Yeah, huh. I just uh, yeah, this is this this was one of the first ones I in a while that I hadn't seen in the theaters. I was I was willing to wait for it. I I followed the development, but I wasn't feeling it enough in the, uh, trailers to to go and and watch it in person.
Reginald Titus Jr.: All good. But before we talk further about Once Upon a Time in Hollywood, let's talk about TV news and movies watched.
Casey G. Smith: So in the news, according to Variety, after Elemental bombs, can Pixar restore its box office touch? Pixar's chief creative officer, Pete Docter, recently told the press that he doesn't think of Pixar as making children's programming. By the look of the box office returns for the studio's recent animated offerings, it would appear that kids have taken notice and haven't been so inclined to watch those movies in theaters. Over the weekend, Elemental collapsed at the box office, domestic box of, Over the weekend, Elemental collapsed at the domestic box office with a $29.5 million dollar opening, by far, the worst debut in Pixar's 28-year history. Even forgettable Pixar adventures like 2015's The Good Dinosaur, which debuted at 39 million, and 2020's Onward, which debuted at 39 million as well, and last year's massive money loser, Lightyear, which debuted at 51 million, managed to fill more seats in their opening weekends. The film didn't rebound much at the international box office with 15 million from select markets, bringing its global tally to a disastrous $44.5 million dollars.
Reginald Titus Jr.: Holy smokes.
Casey G. Smith: There's a bigger issue for Pixar. It's not just youngsters, but general audiences.
Reginald Titus Jr.: I saw the trailer for the Elemental thing. I was like, nah.
Casey G. Smith: Yeah, me too.
Reginald Titus Jr.: I was like, this is a story we've seen. You know what I mean? Like, how many times do you rehash the same like themes over and over again? It's like, uh, we've seen this.
Casey G. Smith: Yeah, that's uh...
Reginald Titus Jr.: Out of all the movies you had mentioned of their bombs, the only one that I remember was Lightyear, and I didn't watch it, but I remember like the buzz for it.
Casey G. Smith: I I saw Lightyear. Not in the theaters. I I watched it on Disney Plus. So here's the thing I also find is that I feel like films are becoming available so quick and on demand. I mean, or even just being able to like just video on demand, being able to buy it for 20 bucks. Again, I mean, the new Transformers movie, Transformers: Rise of the Beasts. You buy it for 20 bucks right now and and watch it at home.
Reginald Titus Jr.: You know what? And for me, cuz I'm working on trying to get my theater thing going. Right? Um, I hooked the the big speakers this past weekend. I was like, ooh, the kids are like, this is like theater. Um, but I could actually justify paying 20 bucks to watch something at home and just like, all right, guys, because I took I'm taking like each one of my kids to the to the theater and I'm dropping $60, $80.
Casey G. Smith: Exactly.
Reginald Titus Jr.: And it's just one of us. You know, I'm take cuz I take one at a time on their birthdays and this is birthday season. And so I'm like, dang, this is like 100 bucks or something every time I go out.
Casey G. Smith: For real. So I mean, I mean, again, that that becoming available so quickly, yeah, it it's kind of tough to, um, yeah, again, unless you again, me I I go with a group of with a couple of my buddies and we we make it a thing and and so we've watched, you know, the recent Spider-Man movie. Uh, we watched, uh, what should I talk about in a little bit, the new Transformers movie. What else have we seen? It feels like there's something else I'm missing. Cause I watched I watched two films. What am I missing? Oh, the new Flash movie, that's that's right also. Nonetheless, but yeah, but Pixar has a has a problem. I mean, and maybe it's the quality of of film. I thought Lightyear was good. It's not it was not Toy Story good, but Lightyear was still very was entertaining.
Reginald Titus Jr.: And when I saw the trailer, it looked decent, you know what I mean? So like when I saw the trailer, I was like, okay, I see what this movie is. It looks like it's gonna be solid. I saw Elemental. I'm like, pass. You know what I mean? Like, it just like, uh, no, like even my kids are passing on it.
Casey G. Smith: Yeah. Like Inside Out, oh, man, I loved Inside Out. Inside Out was great, but I feel like this is a, no pun intended, but a watered-down version of Inside Out.
Reginald Titus Jr.: Ah, zing! Wah, wah. Pomp, pomp.
Casey G. Smith: Nonetheless, but yeah, hopefully Pixar can can turn it around and find the magic, but sometimes you got to hit these slumps to make those adjustments to make better films, better products.
Reginald Titus Jr.: Cause I think they're getting too comfortable. They're they're getting some Pixar, they take they actually were proud on how they developed their stories. You know, and they took a lot of pride in that. Uh, when you have like The Incredibles, that's I mean, those stories are great, you know, from that. And like they spend a lot of time, you know, with those stories. So I was like, maybe they got off from that a little bit.
Casey G. Smith: I heard, I thought I'd heard somewhere that recently they they released one of their, uh, top people recently. I thought, excuse me, I heard that somewhere, but hey, keep making films like this. Uh, it's gonna keep happening.
Reginald Titus Jr.: Heads will roll.
Casey G. Smith: Yes.
Reginald Titus Jr.: Like, have an idea. I call it Elementals. Like, who pitched this? And it's water and fire. Uh.
Casey G. Smith: Wait, is this a Captain Planet reboot? Nah, we don't own that. Oh, okay. Keep it moving.
Reginald Titus Jr.: Uh, Captain Planet, do you remember? I don't know if I shared this. There was a Don Cheadle. You remember that? Yes. Man, Captain. He would be literally one of the most deadliest dangerous heroes, characters out there when you can tap to the elements of the Earth. Turn people into trees.
Casey G. Smith: Oh, this guy could really talk, really fast.
Reginald Titus Jr.: I don't know how I started watching this. It was like a couple months ago or something. And I just was like, years ago when you showed me this. Yes, but I recently it came back to my memory for whatever reason it came back. I was like, this is great. Uh, I think it was like on Funnier Die. It was on one of the platforms at the time. I was like, this is fantastic. Anyway, what you been watching?
Casey G. Smith: Well...
Reginald Titus Jr.: New stuff. Give us some new stuff, cuz I got a lot, cuz, you know, what's it's been like three weeks, two or three weeks since we recorded last. Today's Juneteenth. Yesterday was Father's Day. So we're...
Casey G. Smith: Happy Father's Day to all the fathers out there. Shout out to the dads.
Reginald Titus Jr.: Indeed. All right, so for the new stuff...
Casey G. Smith: Couple of things. Number one, I did see, as I mentioned earlier, the new The Flash movie. Now, I had heard different people who had who had seen advanced copies, like one Tom Cruise and and one, um, uh, what's our our famed, uh, writer, Stephen King, you know, prai praising the film. And so I went in with kind of high expectations. The trailers trailers amazing trailers.
Reginald Titus Jr.: FYI, I watched it too, so we can go there.
Casey G. Smith: Okay. Michael Keaton, you know, coming back as Batman.
Reginald Titus Jr.: As old Batman, let's go.
Casey G. Smith: Okay. All right. Watched it and, uh, it was it was good, but it was not but it was not great. And so it left me disappointed.
Reginald Titus Jr.: Dang.
Casey G. Smith: Yeah, I I enjoyed it, but I was like, this is not I was I was expecting to be blown away. I was not blown away. I was like, this is good. This is solid. I I enjoyed it, but I wasn't like, oh, wow.
Reginald Titus Jr.: It was overhyped.
Casey G. Smith: Yeah. So good, not great.
Reginald Titus Jr.: Yeah, it was good. Not great. I agree with that. Um, for me, I took my son for his birthday to watch. That's what that's the one he wanted to watch. Um, and we were entertained. But I mean, the to me what was distracting, the CGI was shotty on certain parts. Especially the baby sequence, when he's going getting the babies. I'm like, these don't even look like real people.
Casey G. Smith: Yeah, that was that was rough. You're right. You are right on that. There's a early on early on scene where Flash has to make a rescue at a hospital and they literal baby raining babies falling out a window. I did like how they explained some things with with the use of his powers, how how he wouldn't be able to like actually touch.
Reginald Titus Jr.: Touch people, yeah.
Casey G. Smith: What it does to him and that how how I said, don't don't move anybody in that one point. There are some funny moments in in in the film. Uh, I I'll say this, you know, if you're if you're if you're if your budget's tight and you got you got Max, wait for it to drop on Max. I don't I don't know you got to see this one in the theater.
Reginald Titus Jr.: Hmm. I actually liked seeing it in the theater. We watched it on the, uh, what was this? Is it the SDX or SD? What is it? When it was like, everything's like better sound and...
Casey G. Smith: Where did you go AMC or Tinseltown?
Reginald Titus Jr.: It was we're in Waxahachie. It was or not not Tinseltown. Um, Cinemark. No, it wasn't. Uh, dang, I don't know. I can't think of the name.
Casey G. Smith: Typically AMC or Cinemark, or unless you go like to, uh, you know, third party like Alamo Drafthouse.
Reginald Titus Jr.: No, I got to look it up now, cuz now now it's a thing. Um, but I so watching it, watching it in that SD, ShowBiz. Sound. I never heard of it. Showbiz Cinemas. So like in Showbiz Cinemas, they have like a bowling, they have bowling alleys. They got an arcade there. It's like a whole experience. Um, and so like people go there just to hang out, drink and chill. Sure. Um, and don't even watch movies, they just go there to bowl. Um, but yeah, ShowBiz Cinemas. And so they have the section like a section of the theaters that's specifically for certain movies that have the super sound. So this movie like, dang, the audio was like it was killing it. Big screen. I was like, man, this is legit. If I didn't follow the Flash like I do, like me and my family do on the TV show. Um, and all this multiverse stuff wasn't a thing and just pop culture. I would probably been blown away by this movie. Um, but because I was like, they just kind of rehashed a lot of the stuff that's happening in the TV show and made a movie out of it. It's that's what I felt.
Casey G. Smith: Well they had the the characters. Yeah. I mean that's the characters his roots and stuff. And honestly, the I mean, I've again, Resident Nerd with the comic books. You know, I I've read the Flashpoint storyline, which is what this is based off of. I've also seen animated movies around Flashpoint. So, I don't know, had a general vibe of what what was gonna go down. Again, we won't throw any spoilers out there, but , again, I thought the movie was good, but I was expecting I was expecting greatness from this film.
Reginald Titus Jr.: Yes, because some of the TV show stuff how they deals like it takes some like it's getting cheesier now, but like some of the storylines like better on the TV show. Uh, Reverse Flash, you got all these different Flashes. They're going hard in the TV show. So it was like, I was expecting a little bit more from the movie.
Casey G. Smith: But you got so much time. And this this film was in development for so long. It went through four or five different directors. At one point at one point in time Ezra Miller was going to direct the film. Um, I believe I believe, uh, Antoine Fuqua was originally slated to direct this. This is this was like 10 years ago. It was a while ago.
Reginald Titus Jr.: Lord.
Casey G. Smith: Yeah, this film was in development for a long long time. But nonetheless, aside from the Flash, I I...
Reginald Titus Jr.: I wanted to add some more to the Flash situation. Bring it up. Bring it up. So CGI, I talked about the babies, but there was parts when the CGI of the Flash and his face, you can tell it was a computer.
Casey G. Smith: Sure.
Reginald Titus Jr.: When he was talking to himself. I was like, bro, like what why? Like, why is this happening? Sometimes you could tell when...
Casey G. Smith: Budgets. I don't know.
Reginald Titus Jr.: Budgets. Do you think so?
Casey G. Smith: They again, Marvel runs into the same problem where they, um, they're all these different, uh, studios or or effects houses. They're bidding to do these jobs for Disney, Marvel and for Warner Brothers, DC. And they often have to have to bid low just to get the business. Then they're doing it under a small deadline. And then there's all...
Reginald Titus Jr.: Yeah, we talked about it before.
Casey G. Smith: The amount of content between Disney Plus, between Max, all these shows and the movies, they're having to crank out so much content, so then those are the quality has dropped significantly.
Reginald Titus Jr.: The crazy part is like the other stuff in the sequences is good. Like the Flash, the special effects is happening. Everything is on point. It's just certain scenes.
Casey G. Smith: Yeah. dropped somewhere.
Reginald Titus Jr.: Yeah. Who knows what they're were rewrites on those parts, then that delayed...
Casey G. Smith: Probably.
Reginald Titus Jr.: You know, those things being done and then...
Casey G. Smith: You got a point there.
Reginald Titus Jr.: Yeah, then you end up with, uh, again, shotty CGI.
Casey G. Smith: Shotty CGI.
Reginald Titus Jr.: And I know we were concerned that it if this movie was even gonna come out because of everything that, uh, Ezra was doing in his personal life. I was like, they're lucky this movie came out. Uh.
Casey G. Smith: And it's one of those things that once you hit like, once once they allocate a certain amount, like then they're like these studios are pretty staunch on nope, we're not paying any more. Like you get done within the the parameters that that we set for you. Yeah. We're not paying any more.
Reginald Titus Jr.: And maybe because maybe because of the stuff that was happening with Ezra, they were just like, that's it. You know, make it work.
Casey G. Smith: Cause man, cause if they imagine if they had to try to recast him. The guy the guy's playing himself. You know, like twice like that's, that was like, no, we're putting this out. This one is coming out.
Reginald Titus Jr.: So my take is from a technical, CGI and all that stuff, it kind of takes you out of the film sometime. But Ezra's so charming and the story with his mom is so heartwarming that it's still it still feels like a solid piece.
Casey G. Smith: Again, it's good. It's just not yeah. If you're expecting this film to be great, maybe you'll see it and think it's great. I did not. I love The Flash. He's one of my favorite characters.
Reginald Titus Jr.: Agreed, me too.
Casey G. Smith: And, um, and I there are some cool Easter eggs also. I will there's some very cool Easter eggs in this film as well. Especially towards the end. Again, no spoilers, but, uh, but yeah, Flash, yeah, good not great. But it also, it didn't it's not doing well at the box office either. It's like it's Really. It's bombing at the box office.
Reginald Titus Jr.: Yikes.
Casey G. Smith: Yeah. Yeah, it's it's not not not not looking good. But I mean, this is also kind of the the reboot point for for DC. Like Flash is kind of the end of the kind of Zack Snyder the Snyder verse, yeah, into James Gunn, uh, taking over.
Reginald Titus Jr.: Okay. With them recasting Superman and something like, well, I guess it's time. I was expecting. I was I was kind of disappointed a little bit. Um, but anyhow, other things watched. Ah, so also, I went to the theater and I did see Transformers: Rise of the Beasts.
Casey G. Smith: What number is this for Transformers? Is like 10 pictures? This is probably the sixth, I want to say, probably the sixth film. But I I think that the Bumblebee film was was like a reboot to the Transformers universe.
Reginald Titus Jr.: So that doesn't count?
Casey G. Smith: Uh, you know, you can't, I guess whatever you want, but about Bumblebee was like a like a soft reboot for the Transformers franchise because it was set...
Reginald Titus Jr.: So it's not the same timeline as everything?
Casey G. Smith: No, cause Bumblebee's like more 80s because they cause they kind of went they kind of with Bumblebee, they embraced more of the G1, which means like Generation One. Like if you grew up in the 80s watching Transformers, excuse me, that vibe, Bumblebee embraced that. And the characters, the designs are more reminiscent of that. So this film is set in the 90s, like 94. Okay. I'm not a big, I'm a big Transformers fan, but I have not enjoyed most of the movies. Bumblebee Bumblebee was a was was was was was cool. I liked I liked Bumblebee. I didn't love it, but I liked it.
Reginald Titus Jr.: I liked the first one.
Casey G. Smith: A lot of people say that. I I the first one's not not my favorite.
Reginald Titus Jr.: Yeah.
Casey G. Smith: But this one...
Reginald Titus Jr.: At the time. I don't know. I've only watched it once when it came out and Shia LaBeouf was the man for a couple years. Were.
Casey G. Smith: I loved this film.
Reginald Titus Jr.: What?
Casey G. Smith: Loved. I did not expect to say that about a Transformers film.
Reginald Titus Jr.: Loved. I would expect that for Flash and not Transformers.
Casey G. Smith: 100%. Somebody told me I would have said, yeah, Flash was okay, but I loved I the whole time I watched this movie, I was either laughing because I I thought the the humor was was on point. Or I was just smiling because I had such a good time with this film. I did not expect this. I'm I'm surprised.
Reginald Titus Jr.: Wow. You were selling this.
Casey G. Smith: Yeah, I hey. I again, most of the Transformers movies they don't hit for me. The humor doesn't hit, the whatever doesn't hit. This one, this one finds the right balance of how to handle the human characters. Where they're they're not overly annoying. Like you like they set it up real nice where you care about the human characters. And they they don't have some kid on the front lines in the major battle, which I always find ridiculous. You get these kids killed. So there's none of that, which I I think is great. But the the the here's the other thing, the soundtrack. Like I said, this is this this takes place in 1994. They there is an amazing hip-hop East Coast soundtrack where they are dropping some some some some of the some of the best songs of that that time period. A lot of a lot of East Coast hip-hop, but it hits at the right time. It it gives it just gives a nostalgic vibe. It it works. I I want I want to actually watch this one again in the theaters.
Reginald Titus Jr.: What? So, um, uh, the rapper, Toby, was he was he in there as himself or was he a voice of some somebody?
Casey G. Smith: I don't know who that is.
Reginald Titus Jr.: Toby. He's been marketing Transformers for a while. Toby Nwigwe? Oh, yeah, he is in there. He's no, he's he's he's he's there as an actor.
Casey G. Smith: Yeah, okay. So he's been marketing the hell out of Transformers.
Reginald Titus Jr.: Well, once I saw his face, I'm like, oh, yeah, okay. I know exactly what scenes he's playing.
Casey G. Smith: Who is that guy?
Reginald Titus Jr.: That's why that's why he was in there.
Casey G. Smith: He's funny. He's very funny in the film. The role that he plays.
Reginald Titus Jr.: Shout out to Houston rapper. H-town. Yep. Absolutely.
Casey G. Smith: But yeah, Transformers Rise of the Beasts. He's worth checking out.
Reginald Titus Jr.: I was shocked at how much I enjoyed this film.
Casey G. Smith: This this is by far my favorite Transformers film.
Reginald Titus Jr.: Really?
Casey G. Smith: I did not expect to say that. But yeah, I I want to watch this one again in theaters. I I I love I loved it. I got I real talk. I loved this film. It had me dying laughing.
Reginald Titus Jr.: What?
Casey G. Smith: Pete Pete Davis, I didn't realize that he voices one of the uh, one of the autobots and oh, man, that the the writing in this one is it it it worked for me. It it it it worked for me. I'll just say that. I did not expect to enjoy this. I went in with like, yeah, I was like, this is like, Transformers, I mean, trailers always grab you, but then the end result. But this one it it works.
Reginald Titus Jr.: Um, shout out to Toby, cuz the only reason I knew about Transformers this time around is because he's been marketing his butt off with the film. And I followed him because, um, uh, rapper, but like he's a rapper that's, um, kind of embraced his family, his wife and his kids and just everything and like a lot of the work that he does. And so you don't really see that a whole lot from Black culture. You know, um, if you leave it up to other people to write about Black culture, you only see like the single mother, or if there's a basketball player, you know, popular basketball player. They usually don't write about their family. And even if they have a family, they don't write about it. And so he's been incorporating his family in a lot of stuff that he's been doing.
Casey G. Smith: I will say this, you know, and some of the the previous Michael Bay films, when it came to aspects of of culture and representation, at times to me it came across a little offensive.
Reginald Titus Jr.: You you did have like the the yeah. I don't even know what to say. I don't even know what to say. Yeah, they were they were yeah, I'm like, where the hell these Autobots come from? What's going on here?
Casey G. Smith: Man. But this this brings in some some culture and that it I thought I thought it did it well. And yeah, I I I want to watch this one again.
Reginald Titus Jr.: Dang, who directed this one?
Casey G. Smith: That's terrible. That's true, though.
Reginald Titus Jr.: That's legit. Transformers Rise of the Beasts. And again, this is this is my my take on it. And I did not expect to, uh, I did not expect to be saying this about the new Transformers.
Casey G. Smith: That is a surprise. I'm I'm just as surprised. So, uh, Steven Caple Jr. Steven Caple, C. A. P. L. E. Junior.
Reginald Titus Jr.: Uh, he a brother, right?
Casey G. Smith: Let me see. Did he direct Creed 2? Yeah. That's I was like, I know that name. I know who that is. Yes, he is a brother. Yeah, I was like, I just wanted to be sure. Um, but yeah, okay, that's not even a surprise. Yeah. Yeah. So that's not even uh, a surprise that how true and why you like this so much.
Reginald Titus Jr.: Yeah.
Casey G. Smith: Now that actually looked at the room, I'm like, oh, this guy. Yes. So, uh, he was he was he was a good. And he's true to the form when it comes to music, having music and stuff because he had a lot of stuff with Nas and things like that in early in one of his early films. And I one of our music supervisors from my film, no, you know, part of the network, and so just he's in the network.
Reginald Titus Jr.: You know, the soundtrack on this, the way, absolutely. The way it the way it hits, the timing of how it hits, it's just like when you like, yeah, come on, man, it's it's good.
Casey G. Smith: Now knowing who directed it, that's not even a surprise. And having Toby in there, it's like it's even better. I was like, I get it. Yeah, this one's there you go. Had a little soul in it. There you go. That's what happens when you add soul to to a movie. Imagine that. Yes, um, so, um, film recently rewatched, you remember the movie, Nope? Yes. I I reported. Did you go to the theater to watch that one?
Reginald Titus Jr.: Yep.
Casey G. Smith: So when I watched it at the theater, it was kind of the same as Once Upon a Time in Hollywood. Once it was over, I was like, hmm. I'm not sure what to say. I don't know what the appropriate response is. I'll come back. And so, watched it during the day with the kids. They they're really into like UFOs and all stuff. Especially like now, like all the recent UFO sightings that's been happening in Las Vegas and everywhere. Like people been calling the cops to some of these UFO sightings. Like they're seeing it, like, do you see what's going on here? Like, I don't know, have you been seeing that in the news? All the sightings. Yeah, so this is a. The sprinklings of things like. So this is a real thing. UFO sightings are being reported and people on the news are like, they don't know what to say. They don't know what. Back to you, Reggie. Um, because there's footage, there's footage of the stuff and people are like, So anyhow, so keep in mind, the kids, my kids are aware of all that stuff. We're watching this and I'm like, dang, this movie is good. It I was like, this is it feels more real now.
Reginald Titus Jr.: Yeah. Now, how does that also, how having also watched uh Chimp Kingdom, oh, Chimp Empire. Chimp Empire. Yeah, I keep I keep calling Chimp Kingdom. Yeah, Chimp Empire. And then the scenes with the with the Chimp in it. Does that have any additional effect?
Casey G. Smith: No, not really. I don't really thing. I just don't like to disappoint people. No, not really. Uh, I I think that was like one of out of all the sequences when I watched it at the theater, that sequence I felt like could be its own movie. You know, we can hey, let's just hang out here and see what happened here and then the UFO element can kind of be, you know, something to cuz remember how the shoe that was sticking up like there's some elements there. But, um, , I just thought it was just a better film. And my kids, they were like, I love this film.
Reginald Titus Jr.: Wow.
Casey G. Smith: They said, I love they loved the film. And also too, it's, um, it's not often you get to see people that look like you that are in sci-fi situations, you know what I mean?
Reginald Titus Jr.: And and also in a in a uh, a rural situation as well. You know, like rural sci-fi. Yeah. Cool. A unique a unique blend.
Casey G. Smith: Mm-hm. And bringing the flavor.
Reginald Titus Jr.: Hmm. Yeah. So for them, they they loved it. And I was like, man, this is good. I wasn't sure watching in the theater, rewatching it, I went and bought the Blu-ray. I was like, this is legit. Okay. Legit. I just wasn't in the right mind. You know, he said his bar so high from with, uh, Get Out that and that's an easy digestible film that with, you know, each new film that he comes out with, he's like, even when us came out like, uh, I like it, but, uh, and then then Nope, and then, what's the other one? Uh, or is that it?
Casey G. Smith: I think that's it.
Reginald Titus Jr.: But it's that yeah, when you when you hit out of the park like like Get Out did, I mean, a trailblazing phenomenal film. It it is very tough to follow up because people are, okay, can can you do it again? But yeah, that's just the.
Casey G. Smith: Mm-hm. It's it's it's it's hard. But I'm I'm I yeah, I I enjoyed it. But that that will be interesting to revisit that one.
Reginald Titus Jr.: Yeah, that one was a surprise. And then, you know, he kind of deals with the race head on. Um, him specifically having to do two different perspectives of race. Knowing, you know, living with a white mother, but looking like a black man, he's mixed, but look like if you just look at him, you're like, oh, that's a black man. But you don't realize that he's mixed and he has a certain perspective on things that he gets treated a certain way and he is another it's just a it's he has a very interesting perspective on when it comes to race politics.
Casey G. Smith: Hmm.
Reginald Titus Jr.: Yes, sir. Yes, sir. So I also watched on Disney Plus, I watched, uh, the the the documentary, uh, Stan Lee.
Casey G. Smith: Okay.
Reginald Titus Jr.: Just talking about the the the life and history of of Stan Lee and there's there was pulled a lot from an interview he had done, or multiple interviews, um, that he's done over the years. Uh, I always enjoy hearing about Stan Lee. He's a, you know, a big part of my my, uh, my childhood and my my my adulthood as as well. And rest in peace, but, uh, if you're curious to learn more about the the co-creator of many of the the Marvel Comics characters, it's streaming on Disney Plus.
Casey G. Smith: Boom.
Reginald Titus Jr.: Um, I watched the film starring Idris Elba, uh, Three Thousand Years of Yearning. That is on Amazon Prime. You can watch that. Uh, that film, I I watched the trailer. I was like, I want to come. He's like a genie. He's literally like a genie, uh, with a bottle that comes out. He's got the elf ears and everything. I forgot the woman's name. The woman that is she played Gabriel the angel in Constantine. Um, no, um, she was in the Budapest hotel. She played the old heir that passed away that, um, that, uh, the guy was sleeping with, but I can't remember. Dang it. She she has a very unique look and kind of like an androgynous look so she can kind of switch up. If she looks more feminine, she looks more masculine, like she could switch it up a lot. Dang it. You'll know, but I say, oh, Tilda Swinton. Boom. There you go. Yeah. So there's a thing with Idris and Tilda Swinton. There's like this love thing going on. It's it's it's interesting. Um, but I don't know if it performed well at the theater, cuz I remember when this film when this film came out in the theater, but it's, um, it's a genie in a bottle movie, dealing with wishes. Um, it's rated R, some raw stuff going on in there. Um, I would recommend it. Just if you're kind of into like the magical sci-fi things. But that's one. Uh, a thousand years of yearning. Uh-huh. Yeah. Amazon Prime. Thank you for that, sir.
Casey G. Smith: Yes, sir.
Reginald Titus Jr.: That's all the new stuff that I had.
Casey G. Smith: Okay, I got more.
Reginald Titus Jr.: Um, took my daughter to see The Little Mermaid. Hey. Um, she didn't like it.
Casey G. Smith: Okay.
Reginald Titus Jr.: While I was 35 minutes, we're watching this. She she asked to watch the film. I was like, all right, we'll go watch it. So we're sitting there watching her birthday, same day as our anniversary. We're watching it and she just just like, can we go? She's like, why are they singing? Like, she just...
Casey G. Smith: Oh, wow. She's got questions.
Reginald Titus Jr.: She's like, why are they singing too much? Uh.
Casey G. Smith: The musical.
Reginald Titus Jr.: Yeah, so she was she wanted out. And so, uh, so yeah, so we cut that short. I wasn't complaining. I was like, okay, dear. Yeah. I was like, all right. I didn't know I wanted to watch it. You know, wife was like, all right, let's go. Uh, but yeah, but keep in mind this my daughter likes Maverick. You know, that's the movie that she's Maverick. Yeah, so like kind of keep in mind her taste. Sure. Sure. You seen any recent trailers? Oh, I still got other no, I haven't seen uh, no, I haven't seen any recent trailers. Okay, gotcha. You? I did. I saw what today? I saw the trailer for Kraven the Hunter. What is that?
Casey G. Smith: Spider-Man villain. But he's getting his own solo movie. Kind of like what Sony's been doing, kind of building up their.
Reginald Titus Jr.: Oh. But this has our our guy who, um, uh, Kick-Ass. Played Kick-Ass. Uh, I don't even remember his name. Jay. With the gray with the green suit on? Yeah. I don't remember his name. He was also Quicksilver in the, uh, in the MCU as well. Lord. Oh, yeah. I know who you're talking about. Aaron, uh, Aaron Taylor. I think I think it's Aaron Taylor.
Casey G. Smith: I don't I didn't I didn't I never had his name in my memory.
Reginald Titus Jr.: Yeah, but he he, uh, he plays is that the guy that played Jeffrey Dahmer?
Casey G. Smith: He said, Quicksilver. So I'm like, he played Oh, no, that's Evan Peters. Okay. Who who played Quicksilver in the Fox Universe. Got it. This guy was Quicksilver in the Avengers Age of Ultron movie. Um. Oh, okay. Um, Aaron, uh, Aaron Taylor. I think I think it's Aaron Taylor.
Reginald Titus Jr.: I don't I didn't I didn't I never had his name in my memory.
Casey G. Smith: Yeah, but he he, uh, and Jason was playing him for the second one, so he had a different one, too. He was playing Quicksilver in the Fox Universe. Uh, he was Quicksilver in Age of Ultron. Okay, right. Okay, okay. Yeah. Okay. I'm following you. I think, okay, I think it's Aaron Taylor. Yeah, I think that's it.
Reginald Titus Jr.: I know his face and he he had the accent in the movie. I don't know if that's his accent or if that was just a character he's playing. I think he's English. English accent. But yeah, but this is this is like rated R. Like this is like...
Casey G. Smith: Okay, sign me up.
Reginald Titus Jr.: Sign me up. Yeah, so Sony's steadily building their Spider-Verse of villains. Um, oh, here's a film. We we went this is on Tubi. We went to Tubi, family and we watched the movie Major Payne.
Casey G. Smith: Oh, wow.
Reginald Titus Jr.: Took it back to some 90s comedy. Major Payne, like Damon Wayans. Man, and they were one of the other producers. He was one of the producers. It was good. It yeah, it I mean, there's some 90s, uh, stuff you can't do these days. Sure. Sure. Making fun of, you know, you know, disabilities and stuff like that. Like, come on, bro. But you know, that was the 90s, you know, you do stuff like that. And especially when it comes to the women stuff. But that aside, um, it was, um, yeah, it just feels like it was it was it was done by masters of the craft. Agreed, agreed. From the the cast to again, sound, writing, cinematography. It's it's it's all there. Absolutely. Um, what kind of themes did you pull from the film? Thematically, uh, comebacks, but as well as being on the rise because again, we have literally two neighbors. One is a is a is a rising star, you know, Sharon Sharon Tate was was on the rise for her next next, um, kind of big big breakout and, uh, you know, Rick Dalton was on on the decline. But you know, within this film was able to to kind of find his way and was on on his way to a comeback as well. And then theme of friendship between, uh, Rick and Cliff, it's a beautiful friendship that they that they have there. And at the end of the day, you know, Cliff ends up saving saving Rick's life and and his wife's. Yeah. Wow. He you're a good friend. I try to be. Yeah, just so just so understated and and, uh, you know, uh, yeah, it's it's it's it's a beautiful, uh, friendship, romance, whatever you want to call it. Like, these these guys are good buddies and and and you don't know what's what's next for Cliff because you know, Rick saying he can't afford him and maybe moving away, but, yeah, Cliff will will land on his feet. Yeah. So it, um, themes definitely buddy love. We see that in the Blake Snyder film, Save the Cat, this falls into that line of buddy love films. And also made me think about like some of the films that didn't perform well for Tarantino. I don't necessarily know that he always has a love interest in his films. I know this one really didn't. Um, neither did Hateful Eight. But Django did. And, uh, when you have that kind of like that theme of, oh, man, get your girl back or hope he gets the girl or she gets the guy or whatever. You know, we can kind of all relate to that in a way. And, um, I don't know, it makes me think, you know, even when James Karen says, hey, whatever film you do, just make sure it's a love story. He says love story. Exactly. I was just about to do that same that same quote. Yeah, that it always a love story at the end of the day. Yeah. Yeah. And so if this film doesn't really have that, you know, it does have the buddy love thing, but that's kind of more subversive, but like over the like, hey, this is my girl. We didn't see Rick Dalton, you know, making sure that he gets his girl. You know, we just see that, oh, he got married. It's kind of like getting luggage. Yeah. Oh yeah. So, um, but he he, uh, later on in that conversation, he also goes to say like, you know, in regards to like people, you know, he may not be able to beat like a Bruce Lee or anything, the stuntman. Not be able to beat him in a tournament of martial arts or anything like that. But in who's gonna this guy's a guy from Combat and will kill you. Cliff Booth, his character. Uh, if it comes in that way, I'm gonna go to go lean towards Cliff Booth because that's what he does, he murders people. And so if it was a situation like that, it'll be Cliff Booth. Interesting. Yeah. So that's the perspective Tarantino's come from. So I was like, oh, okay. All right. I can accept that. At least you have an explanation, you know. Yeah. Yeah. I'm like, oh man. Yeah, I'm like, Tarantino, really? Is that necessary? Like, where'd it come from, baby? It was a Brad Pitt line. It was improv. I don't know. I need to look at the script. Um, but he said, but like Rick Dalton was like, you know, you know, with your career going this way, it's worth crying about. And if not, I don't know what it is. Yeah. And, dang, I'm trying to remember. So when they go back, oh, when um, Cliff Booth was dropping back off home and he figures out Roman Polanski's living next door to him and he's like all excited about it. And then Rick, uh, Cliff Booth was like, so so are you feeling better now? And then so he is like kind of a little bit more up about like, I'm living next door. It's kind of like bragging. I'm living next door to this guy and this this and that. Um, and so when Cliff Booth is leaving out, he's like, I'm gonna pick you up 7:15 a m, out the door, 7:15. So it's like little subtle things like that. It's like, okay, he's got to be he's reminding him, he he's like kind of like his executive assistant in a way. He's like, hey, this time, don't forget this and you need to be ready to get out and leaving. There you go. So this is Rick talking to himself once he's in the trailer again. Having these melt down after flubbing his lines on set. And he's cursing himself out and he's like, you could stop at three or four. But no, you had to have eight. And he's talking about his his uh his whiskey sours. Man, those were good. You had eight. Yeah. That's what you do. So. And he's he's cursing himself out. And he's like, look, you you nailed these lines. Why do you have to have so many out of sours? And he goes, no, I just told you I'm blind. What the hell do you think I know what color her hair is? That's what you want, right? No, I don't have any more. I got one more. This is this is from Tex who is one of the Manson family guys. He's the one with the gun. He's the one who was on the horse earlier on. And the one who leads the charge into Rick's house. And once he confronts Cliff, Cliff is getting tripping on this acid. And Cliff asked him, Cliff asks him, are you real? And Tex says, I'm as real as a donut, mother effer. What is that even mean? I'm as real as a donut. Uh, it was funny also with that line, uh, Cliff Booth was asking him like, what are you here for or something like that. I'm like, I'm here to do the I'm the devil. I'm here to do his bidding or something like that. Yeah. He's like, no, it was something dumber than that. Exactly. So, uh, Tex, that's it, Tex. Oh, got you. Uh, do you have any questions for our filmmakers? I have two questions for the filmmakers. Mister Tarantino, please have a seat, sir. My first question is, uh, did Cliff really kill his wife? The answer is, yes. And it's in the book. I figured as much when you mentioned the novel. Ah, Once Upon a Time in Hollywood by Quentin Tarantino. I wonder if that's on audio. I wouldn't mind listening to that on audio. Yeah, that's a little bit of trivia that, um, people used to, that was a popular thing to do novelizations of films. Um, Tarantino's on this Once Upon a Time in Hollywood kick, he's just kind of going back to the well with a lot of things, but there's more, um, things that probably don't need to be in the film and get flushed out. Yeah, they get flushed out in the book. So, it's cool to see that. But that one was released June 29th, 2021. Uh-huh. I went and grabbed it. I didn't I didn't I haven't read it, but I just grabbed a copy. I was like, oh, one day I'll get to it. Okay. All right. Second question. When Sadie gets flamethrowered in the pool. Oh, crispy. She's in water already. She knows she's in water. Why not just duck under the water while being hit with the flames? The water may heat up, but, uh, you'd be less flamethrowered. Oh, she should have ducked before getting hit? Immediately, whatever. Even if you can't see, you know you're being like you know that your lower half of your body is in water. Yeah. And you know the top half of your body is being burnt by flames. Why not just drop under the water? I think she was so jacked up from that vicious bite to the face and arms that she was She's traumatized and in shock and pain. Yeah. I I agree with all that, but I'm like, man, she could have just dropped. Like, I mean, I give up, dropped. I mean, even like out of sure exhaust, like, why are you even standing up still? Like you're getting like She finally did fall back, but she was dead. She was crispy. She was She was yeah. When she died, she's when she fell back. Toastie. Yeah, I think she was far gone. She was going to die anyway. Yeah, that's true, but man, that's just I mean, burning alive just seems like one of the I just seems like just man, I don't know. Just to think what happens to your I mean, I guess after a while your your pain receptors potentially may burn burn off. Your your nerve endings may get like fried and burn off and you don't feel it anymore. But then there's just the That's not the way to go. No. No. I mean, even like your I don't know the heat. I think he can make your eyes burst and just what happens to your teeth, like the sensitivity of your teeth, like just I don't know. That's that's that's really morbid, but that's not the way to go. No, no, sir. And that level of intense flame. That's like nothing anybody's ever felt. And it's coming at you. Those flamethrowers are nasty. That's too hot. Can can we do something about the heat? Flamethrower, sir. Uh-huh. You got a point. You got a point. Trivia. Tarantino's this is Tarantino's first non-Miramax film. He was originally going to have it produced through Miramax, but after the whole Weinstein fallout, he decided to go with Sony. Really? And that was a I didn't catch that until this film. I'm like, holy smoke, Sony. I'm like, I'm so used to seeing Miramax. Yeah. And he could and he can kind of go out and get whatever he wants. So it's interesting based on his reputation. He he basically getting paid to, um, do his love stories basically. Like the Hateful Eight, like these films are probably not gonna do great at the box office. Just base on what it is. Um, even with a face attached. Faces attached. Still a hard sell. Yeah. And period pieces. So that's that's gonna be more expensive. I mean, that's that's just is what it is. Yeah. And period pieces. So that's that's gonna be more expensive. I mean, that's that's just is what it is. Yeah. And period pieces. So that's that's gonna be more expensive. I mean, that's that's just is what it is. Yeah. And period pieces. 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Reginald Titus Jr.

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FMC 253 : It Follows Directed by David Robert Mitchell

November 7, 2026

FMC 252 : Talk to Me Directed by Danny Philippou and Michael Philippou

October 25, 2026

FMC 251 : Weapons Directed by Zachary Michael Cregger

October 24, 2026

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  • FMC 253 : It Follows Directed by David Robert Mitchell
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