June 28, 2026
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Professor

110 posts
Podcast

What We’ve Been Watching Episode 004

Reginald Titus Jr. and Casey G. Smith dive into their latest cinematic discoveries, offering insights into documentaries, trailers, and series that have captivated them recently.…
Professor • April 17, 2026
Film

Robert Rodriguez’s Sin City: A Guide to Rebel Filmmaking

Robert Rodriguez and Frank Miller’s Sin City arrived in 2005, irrevocably altering the early 21st-century cinematic landscape. It wasn’t merely a film leveraging digital effects;…
Professor • April 11, 2026
Film

Lady Bird’s Authenticity: Gerwig’s Mumblecore Heart on Film

A film debut, especially one that garners Academy Award nominations for Best Picture, Director, and Screenplay, typically announces a new voice. Yet, with Greta Gerwig’s…
Professor •
Film

How Rian Johnson’s Craft Serves Character & Narrative in Looper

The screen flickers, a bullet flies, and the future is irrevocably altered. A lesser film might hinge entirely on the mechanics of its temporal paradox,…
Professor •
Film

Zodiac: David Fincher’s Obsessive Pursuit of Filmic Perfection

The pursuit of truth, especially in the shadow of relentless violence, can be a thankless endeavor, often culminating not in triumphant resolution but in lingering…
Professor • April 5, 2026
Podcast

FMC 240 : House Party Directed and Written by Reginald Hudlin

Tune in to Filmmaker Commentary Episode 240 for a deep dive into Reginald Hudlin’s 1990 classic, “House Party.” This groundbreaking film was not only a…
Professor • April 4, 2026
Film

Deconstructing Edgar Wright’s Scott Pilgrim: Comic Book Aesthetics

The sudden, electric jolt of pink cutting through Scott Pilgrim’s muted world is more than just Ramona Flowers making an entrance; it is a declaration…
Professor • April 2, 2026
Film

Get Out: Jordan Peele’s Smart Horror and Cultural Impact

The chilling glint of a silver spoon tapping a teacup, the hypnotic whir of its stirring, and the abyss it draws Chris Washington into form…
Professor •
Film

The Brutal Aesthetics of Martin Scorsese’s Casino

The critical reception of Martin Scorsese’s *Casino* upon its release highlighted a fascinating duality. While Siskel critiqued the film as a rehash of Scorsese’s established…
Professor • April 1, 2026
Film

Scorsese’s GoodFellas: Lingering Shots, Unvarnished Gangster Life

The hushed bar, a symphony of casual chatter and clinking glasses, is abruptly fractured by a question laced with menace: “Funny how? What’s so funny…
Professor • March 30, 2026
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